Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
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Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
“My best thanks are yours,” and her hand was taken, she was carefully
conducted to the door and dismissed with a gentle pressure of her
fingers, and a courteous: “Goodnight, madam; _Au revoir_, if I may
venture to say so.”
By contrast, the hall looked almost light, and Aurelia could see the
skip of joy with which Jumbo hurried to fetch a candle. As he gave it to
her, he made his teeth flash from ear to ear, as he exclaimed: “Pretty
missy bring new life to mas’r!”
Thus did a new element come into Aurelia’s life. She carefully prepared
Harriet’s favourite song, a French _romance_, but Mr. Belamour did not
like it equally well with the Nightingale, which he made her repeat,
rewarding her by telling her of the charming looks and manners of her
mother, so that she positively enjoyed her visit. The next night he made
inquiries into her walks at Bowstead, asking after the favourite nooks
of his childhood, and directing her to the glades where grew the largest
dewberries and sweetest blackberries. This led to her recital of a
portion of _Midsummer Night’s Dream_, for he drew her on with thanks at
every pause: “I have enjoyed no such treat for many years,” he said.
“There are other pieces that I can recite another time,” said Aurelia
timidly.
“You will confer a great favour on me,” he answered.
So she refreshed her memory by a mental review of _Paradise Lost_ over
her embroidery frame, and was ready with Adam’s morning hymn, which was
much relished. Compliments on her elocution soon were turned by her into
the praise of “sister,” and as she became more at ease, the strange man
in the dark listened with evident delight to her pretty fresh prattle
about sister and brother, and father and home. Thus it had become a
daily custom that she should spend the time between half past seven and
nine in the company of the prisoner of darkness, and she was beginning
to look forward to it as the event of the day. She scarcely expected
to be sent for on Sunday evening, but Jumbo came as usual with the
invitation, and she was far from sorry to quit a worm-eaten Baxter’s
_Saints’ Rest_ which she had dutifully borrowed from Mrs. Aylward.
“Well, my fair visitor,” said the voice which had acquired a tone of
pleased anticipation, “what mental repast has your goodness provided?”
“It is Sunday, sir.”
“Ah!” as if it had not occurred to him, and with some disappointment.
“I could say the Psalms by heart, sir, if you would like it, for it is
the 20th day of the month.”
“Thank you. Your voice can make anything sweet.”
Aurelia was shocked, and knew that Betty would be more so, but she was
too shy to do anything except to begin: “Praise thou the Lord, O my
soul.”
It was a fortunate thing that it was a Psalm of such evident beauty, for
it fell less familiarly on his ear than her passages from the poets. At
the end he said: “Yes, that is true poetry. Praise fits well with happy
young lips. You have been to church?”
“No, sir, Mr. Greaves does not come to-day.”
Public-domain text, read in full here on John Shaqi.
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