Love and Life: An Old Story in Eighteenth Century CostumeYonge, Charlotte M. (Charlotte Mary)
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Love and Life: An Old Story in Eighteenth Century Costume
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century
“Once I could not. It was, I know not how long, before I knew that my
brother was no more; and thinking myself dead to the world and the
world to me, I took no heed to what, it now seems to me, I was told of
guardianship to the boy. I was incapable of fulfilling any such charge,
and I shunned the pain of hearing of it,” he continued, rather as if
talking to himself than to his auditor. “When I could, I gave them
my name and they asked no more. Yet what did they tell me of a sealed
letter from my brother, addressed to me? True, I heard of it more than
once, but I could ask no one to read it to me, and I closed my ears. In
Wayland’s hands I knew the youth was well cared for, and only now do I
feel that I have ill requited my brother’s confidence.”
“Indeed, sir, I cannot see how you could have done otherwise,” said
Aurelia, who could not bear to hear his tone of self-reproach.
“My amiable visitor!” he exclaimed, as though recalled to a sense of
her presence. “Excuse the absence of mind which has inflicted on you the
selfish murmurs of the old recluse. Tell me how you prospered with my
cousins, whom I remember as sprightly maidens. Phoebe had somewhat of
the prude, Delia of the coquette.”
“I could imagine what you say of Mistress Phoebe, sir, better than of
Mistress Delia.”
“Had they any guests to meet you?”
“A Mrs. Hunter, sir, from Brentford, a doctor’s wife I suppose.”
“You are right. She was a cousin of theirs on the other side of the
house, a loud-voiced buxom lass, who was thought to have married beneath
here when she took Dr. Hunter; but apparently they have forgiven her.”
Mr. Belamour was evidently much interested and amused by Aurelia’s small
experiences and observations, such as they were. In spite of the sense
of past omission which had been aroused by his nephew’s visit, it had
evidently raised his spirits, for he laughed when Aurelia spiced her
descriptions with a little playful archness, and his voice became more
cheery.
So, too, it was on the ensuing evening when Aurelia, to compensate for
the last day’s neglect, came primed with three or four pages of the
conversation between Priam and Achilles, which she rehearsed with great
feeling, thinking, like Pelides himself, of her own father and home. It
was requited with a murmured “Bravo,” and Mr. Belamour then begged of
her, if she were not weary, to favour him with the Nightingale Song,
Jumbo as usual accompanying her with his violin. At the close there was
again a “Bravo! Truly exquisite!” in a tone as if the hermit were really
finding youth and life again. Once more at his request, she sang, and
was applauded with even more fervour, with a certain tremulous eagerness
in the voice. Yet there was probably a dread of the excitement being
too much, for this was followed by “Thank you, kind songstress, I could
listen for ever, but it is becoming late, and I must not detain you
longer.”
Public-domain text, read in full here on John Shaqi.
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