Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
The doctor, who did not know how to talk to weeping women, heaved
a sigh, and paced slowly about the drawing-room. There followed a
succession of oppressive pauses interspersed with weeping and the
questions which lead to nothing. The band had already played a
quadrille, a polka, and another quadrille. It got quite dark. In
the adjoining room, the maid lighted the lamp; and all the while
the doctor kept his hat in his hands, and seemed trying to say
something. Several times Olga Ivanovna went off to her son, sat by
him for half an hour, and came back again into the drawing-room;
she was continually breaking into tears and lamentations. The time
dragged agonisingly, and it seemed as though the evening had no
end.
At midnight, when the band had played the cotillion and ceased
altogether, the doctor got ready to go.
"I will come again to-morrow," he said, pressing the mother's cold
hand. "You go to bed."
After putting on his greatcoat in the passage and picking up his
walking-stick, he stopped, thought a minute, and went back into the
drawing-room.
"I'll come to-morrow, Olga," he repeated in a quivering voice. "Do
you hear?"
She did not answer, and it seemed as though grief had robbed her
of all power of speech. In his greatcoat and with his stick still
in his hand, the doctor sat down beside her, and began in a soft,
tender half-whisper, which was utterly out of keeping with his
heavy, dignified figure:
"Olga! For the sake of your sorrow which I share. . . . Now, when
falsehood is criminal, I beseech you to tell me the truth. You have
always declared that the boy is my son. Is that the truth?"
Olga Ivanovna was silent.
"You have been the one attachment in my life," the doctor went on,
"and you cannot imagine how deeply my feeling is wounded by falsehood
. . . . Come, I entreat you, Olga, for once in your life, tell me the
truth. . . . At these moments one cannot lie. Tell me that Misha
is not my son. I am waiting."
"He is."
Olga Ivanovna's face could not be seen, but in her voice the doctor
could hear hesitation. He sighed.
"Even at such moments you can bring yourself to tell a lie," he
said in his ordinary voice. "There is nothing sacred to you! Do
listen, do understand me. . . . You have been the one only attachment
in my life. Yes, you were depraved, vulgar, but I have loved no one
else but you in my life. That trivial love, now that I am growing
old, is the one solitary bright spot in my memories. Why do you
darken it with deception? What is it for?"
"I don't understand you."
Public-domain text, read in full here on John Shaqi.
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