Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"He was drunk!"
"Well, you are a fool then!"
Maxim got up from the table and began reproaching his young wife
for hard-heartedness and stupidity. She, getting angry too, answered
his reproaches with reproaches, burst into tears, and went away
into their bedroom, declaring she would go home to her father's.
This was the first matrimonial squabble that had happened in the
Tortchakov's married life. He walked about the yard till the evening,
picturing his wife's face, and it seemed to him now spiteful and
ugly. And as though to torment him the Cossack haunted his brain,
and Maxim seemed to see now his sick eyes, now his unsteady walk.
"Ah, we were unkind to the man," he muttered.
When it got dark, he was overcome by an insufferable depression
such as he had never felt before. Feeling so dreary, and being angry
with his wife, he got drunk, as he had sometimes done before he was
married. In his drunkenness he used bad language and shouted to his
wife that she had a spiteful, ugly face, and that next day he would
send her packing to her father's. On the morning of Easter Monday,
he drank some more to sober himself, and got drunk again.
And with that his downfall began.
His horses, cows, sheep, and hives disappeared one by one from the
yard; Maxim was more and more often drunk, debts mounted up, he
felt an aversion for his wife. Maxim put down all his misfortunes
to the fact that he had an unkind wife, and above all, that God was
angry with him on account of the sick Cossack.
Lizaveta saw their ruin, but who was to blame for it she did not
understand.
ABORIGINES
BETWEEN nine and ten in the morning. Ivan Lyashkevsky, a lieutenant
of Polish origin, who has at some time or other been wounded in the
head, and now lives on his pension in a town in one of the southern
provinces, is sitting in his lodgings at the open window talking
to Franz Stepanitch Finks, the town architect, who has come in to
see him for a minute. Both have thrust their heads out of the window,
and are looking in the direction of the gate near which Lyashkevsky's
landlord, a plump little native with pendulous perspiring cheeks,
in full, blue trousers, is sitting on a bench with his waistcoat
unbuttoned. The native is plunged in deep thought, and is absent-mindedly
prodding the toe of his boot with a stick.
Public-domain text, read in full here on John Shaqi.
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