London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
But she was far too much in love with him still to endure the thought of
a request for money--that cold douche on friendship! She would rather go
to anyone in the world than Aylmer.
What about Edith Ottley? Edith had been kindness itself to her; it was
entirely through Edith that she had this position as secretary and
companion at a salary of a hundred a year which now would mean so
much to her.
She admired Edith more than any woman she knew; she thought her lovely,
elegant, clever, fascinating and kindness itself. Yet she would dislike
to ask Edith even more than Aylmer. The reason was obvious. Edith was
her rival. Of course it was not her fault. She had not taken Aylmer away
from her, she was his old friend, but the fact remained that her idol
was in love with Edith. And Dulcie was so constituted that she could ask
neither of them a favour to save her life.
Lady Conroy then.... But how awkward, how disagreeable, how painful to
her pride when she had been there only a week and Lady Conroy treated
her almost like a sister!... There was a knock at the door.
'Come in!' said Dulcie, surprised. No-one ever came to her little
sitting-room at this hour, about half-past five. Who could it be? To her
utter astonishment and confusion the servant announced Mr Valdez.
* * * * *
Dulcie was sitting on the sofa, still in her hat and coat, her eyes red
with crying, for she had utterly given way when she got home. She was
amazed and confused at seeing the composer, who came calmly in, holding
a piece of music in his hand.
'Good morning, Miss Clay. Please forgive me. I hope I'm not troubling
you? They told me Lady Conroy was out but that you were at home and up
here; and I hoped--' He glanced at the highly decorated little piano.
This room had been known as the music-room before it was given
to Dulcie.
'Oh, not at all,' she said in confusion, looking up and regretting her
crimson and swollen eyes and generally unprepared appearance.
He immediately came close to her, sat down on a chair opposite her sofa,
leant forward and said abruptly, in a tone of warm sympathy:
'You are distressed. What is it, my child? I came up to ask you to play
over this song. But I shall certainly not go now till you've told me
what's the matter.'
'Oh, I can't,' said Dulcie, breaking down.
He insisted:
'You can. You shall. I'm sure I can help you. Go on.'
Whether it was his personality which always had a magnetism for her, or
the reaction of the shock she had had, Dulcie actually told him every
word, wondering at herself. He listened, and then said cooly:
Public-domain text, read in full here on John Shaqi.
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