A week later Aylmer and his son were sitting looking at each other in the old brown library. Teddy had come over for ten days' leave from somewhere in France. Everyone, except his father, was astonished how little he had changed. He seemed exactly the same, although he had gone through strange experiences. But Aylmer saw a different look in his eyes. He looked well and brisk--perhaps a little more developed and more manly; his shoulders, always rather thick and broad, seemed even broader, although he was thinner. But it was the expression of the eyes that had altered. Those eyes had _seen things_. In colour pale blue, they had a slightly strained look. They seemed paler. His sunburn increased his resemblance to his father, always very striking. Both had large foreheads, clearly cut features and square chins. Aylmer was, strictly speaking, handsomer. His features more refined, more chiselled. But Teddy had the additional charm of extreme youth--youth with the self-possession and ease that seemed, as it were, a copy--as his voice was an echo--of his father. The difference was in culture and experience. Teddy had gone out when he was just on the point of going to Balliol, yet seemed to have something of the Oxford manner, characteristic of his father--a manner suave, amiable, a little ironical. He had the unmistakable public-school look and his training had immensely improved his appearance. Aylmer was disappointed that the very first thing his son insisted on doing was to put on evening clothes and go to the Empire. That was where the difference in age told. Aylmer would not have gone to the Empire fresh from the fighting line. He made no objection, and concealed the tiniest ache that he felt when Teddy went out at once with Major Willis, an elder friend of his. Quite as old, Aylmer thought to himself, as _he_ was. But not being a relative, he seemed of the same generation. The next evening Teddy spent at home, and sat with his father, who declared himself to be completely recovered, but was still not allowed to put his foot to the ground, Miss Clay was asked to sing to them. Her voice, as has been said, was a very beautiful one, a clear, fine soprano, with a timbre rare in quality, and naturally thrilling. She had not been taught well enough to be a public success perhaps, but was much more accomplished than the average amateur. Teddy delighted in it. She sang all the popular songs--she had a way that was almost humorous of putting refinement into the stupidest and vulgarest melody. And then she sang some of those technically poor but attaching melodies that, sung in a certain way, without sickening sentimentality or affectation, seem to search one's soul and bring out all that there is in one of romance.