Courtship -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction
“And I have heard your sex has gusts of caprice, and I thought the
cold wind was blowing upon me; and that did seem very sad, just when I
am going out, and perhaps shall never see your sweet face or hear your
lovely voice again.”
“Don't say that, Mr. Dodd, or you will make me sad in earnest. Your
prudence and courage, and a kind Providence, will carry you safe
through this voyage, as they have through so many, and on your return
the acquaintance you do me the honor to value so highly will await
you--if it depends on me.”
All this was said kindly and beautifully, and almost tenderly, but
still with a certain majesty that forbade love-making--rendered it
scarce possible, except to a fool. But David was not captious. He
could not, like the philosopher, sift sunshine. For some days he had
been almost separated from her. Now she was by his side. He adored her
so that he could no longer _realize_ sorrow or disappointment to
come. They were uncertain--future. The light of her eyes, and voice,
and face, and noble presence were here; he basked in them.
He told her not to mind a word he had said. “It was all nonsense. I am
happier now--happier than ever.”
At this Lucy looked grave and became silent.
David, to amuse her, told her there was “a singing dog aboard,” and
would she like to hear him?
This was a happy diversion for Lucy. She assented gayly. David ran for
his fiddle, and then for Pepper. Pepper wagged his tail, but, strong
as his musical taste was, would not follow the fiddle. But at this
juncture Master Reginald dawned on the stable-yard with a huge slice
of bread and butter. Pepper followed him. So the party came on the
lawn and joined Lucy. Then David played on the violin, and Pepper
performed exactly as hereinbefore related. Lucy laughed merrily, and
Reginald shrieked with delight, for the vocal terrier was mortal
droll.
“But, setting Pepper aside, that is a very sweet air you are playing
now, Mr. Dodd. It is full of soul and feeling.”
“Is it?” said David, looking wonderstruck; “you know best.”
“Who is the composer?”
David looked confused and said, “No one of any note.”
Lucy shot a glance at him, keen as lightning. What with David's
simplicity and her own remarkable talent for reading faces, his
countenance was a book to her, wide open, Bible print. “The composer's
name is Mr. Dodd,” said she, quietly.
“I little thought you would be satisfied with it,” replied David,
obliquely.
“Then you doubted my judgment as well as your own talent.”
“My talent! I should never have composed an air that would bear
playing but for one thing.”
“And what was that?” said Lucy, affecting vast curiosity. She felt
herself on safe ground now--the fine arts.
“You remember when you went away from Font Abbey, and left us all so
heavy-hearted?”
“I remember leaving Font Abbey,” replied Lucy, with saucy emphasis,
and an air of lofty disbelief in the other incident.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account