Courtship -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction
“We don't believe in Mrs. Wilson's affection on this side the table,”
said Mr. Hardie; “but her revelations interest us, for they prove that
Miss Fountain had a beginning. Now we had thought she rose from the
foam like Venus, or sprung from Jove's brow like Minerva, or descended
from some ancient pedestal, flawless as the Parian itself.”
“What, sir,” cried Bazalgette, furiously, “did you think our niece was
built in a day? So fair a structure, so accomplished a--”
“Will you be quiet, good people?” said Mrs. Bazalgette. “She was born,
she was bred, she was brought up, in which I had a share, and she is a
very good girl, if you gentlemen will be so good as not to spoil her
for me with your flattery.”
“There!” said Lucy, courageously, enforcing her aunt's thunderbolt;
and she leaned toward Mrs. Bazalgette, and shot back a glance of
defiance, with arching neck, at Mr. Bazalgette.
After breakfast she ran to Mrs. Bazalgette. “What was it?”
“Oh, nothing; only the gentlemen were beginning to grin.”
“Oh, dear! did I say anything--ridiculous?”
“No, because I stopped you in time. Mind, Lucy, it is never safe to
read letters out from people in that class of life; they talk about
everything, and use words that are quite out of date. I stopped you
because I know you are a simpleton, and so I could not tell what might
pop out next.”
“Oh, thank you, aunt--thank you,” cried Lucy, warmly. “Then I did not
expose myself, after all.”
“No, no; you said nothing that might not be proclaimed at St. Paul's
Cross--ha! ha!”
“Am I a simpleton, aunt?” inquired Lucy, in the tone of an indifferent
person seeking knowledge.
“Not you,” replied this oblivious lady. “You know a great deal more
than most girls of your age. To be sure, girls that have been at a
fashionable school generally manage to learn one or two things you
have no idea of.”
“Naturally.”
“As you say--he! he! But you make up for it, my dear, in other
respects. If the gentlemen take you for a pane of glass, why, all the
better; meantime, shall I tell you your real character? I have only
just discovered it myself.”
“Oh, yes, aunt, tell me my character. I should so like to hear it from
you.”
“Should you?” said the other, a little satirically; “well, then, you
are an INNOCENT FOX.”
“Aunt!”
“An in-no-cent fox; so run and get your work-box. I want you to run up
a tear in my flounce.”
Lucy went thoughtfully for her workbox, murmuring ruefully, “I am an
innocent fox--I am an in-nocent fox.”
She did not like her new character at all; it mortified her, and
seemed self-contradictory as well as derogatory.
On her return she could not help remonstrating: “How can that be my
character? A fox is cunning, and I despise cunning; and _I am
sure_ I am not _innocent,”_ added she, putting up both hands
and looking penitent. With all this, a shade of vexation was painted
on her lovely cheeks as she appealed against her epigram.
Public-domain text, read in full here on John Shaqi.
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