Love Potions Through the Ages: A Study of Amatory Devices and MoresWedeck, Harry E.
History
Love Potions Through the Ages: A Study of Amatory Devices and Mores
Wedeck, Harry E.
Aphrodisiacs -- History; Erotic literature
Minski’s potency is such that, at the age of forty-five, his faculty for
lubricity is able to induce in one evening ten manifestations. He admits
that this physiological energy is largely due to the quantity of human
flesh that he consumes. He advises this same regimen to those who would
like to triple their capacity, apart from the strength and health and
vigor that he will acquire through this diet. Once human flesh is
tasted, one will disdain all other foods. No animal meat, no fish can
compare with human flesh. Once the initial repugnance is overcome, one
can never have enough of it.
* * * * *
That is the substance of Minski’s argumentation. In this century,
William Seabrook, the American writer who adventured in West Africa, the
Caribbean Islands, and Arabia, himself describes the eating of human
flesh in one of his personal narratives.
* * * * *
In the opinion of the medieval Italian physician Johannes Benedict
Sinibaldus, author of the Geneanthropoeia, a compound of dried black
ants was a frequent means of creating amatory desire. The ants were
soaked in oil and stored for use in a glass jar.
Incense, particularly in the Orient, has immemorially been considered a
priapic stimulant. In Biblical literature, in Exodus, the Lord gives
directions for the preparation of a sacred, divine incense. It is to be
composed of onycha and galbanum, stacte, pure frankincense, and spices:
the whole to be reduced to a fine powder.
The most potent philtre or potion is the instinctive, natural,
physiological desire. This maxim has been postulated by many
erotologists and sexologists. It is forcefully so asserted by Robert
Burton, the seventeenth century encyclopedist who, while searching for a
clue to the cure of melancholy, in his Anatomy of Melancholy,
simultaneously searched through all the chronicles, histories, and
treatises of his predecessors.
Philtres, he asserts, and charms, amulets and figurines, periapts and
unguents are basically unlawful means: they are, actually, the last
resort in the amatory quest. Panders and bawds and the attendants on
erotic provocations give some meagre aid in this respect. Beyond that,
there is nothing but magic enchantments, Satanic assistance. ‘I know,’
confesses Burton, ‘that there be those that denye the devil can do any
such things, and that there is no other fascination than that which
comes by the eyes.’ He then quotes from Pietro Aretino, the Italian
erotic poet, in relation to Lucretia’s amatory power:
One accent from thy lips the blood more warmes,
Than all their philtres, exorcisms, and charms.
Lucretia’s erotic faculty was such that she could accomplish, merely by
kissing and embracing, her sole philtre, as she admitted, more than all
the philosophers, astrologers, alchemists, necromancers, and witches.
Public-domain text, read in full here on John Shaqi.
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