Love Potions Through the Ages: A Study of Amatory Devices and MoresWedeck, Harry E.
History
Love Potions Through the Ages: A Study of Amatory Devices and Mores
Wedeck, Harry E.
Aphrodisiacs -- History; Erotic literature
The European newspapers and magazines, notably in Germany, Austria, and
France, until quite recent times, advertised, in the interests of
readers, all kinds of elixirs, remedies, philtres, concoctions, and
unguents, to correct sexual deficiencies or to promote physiological
capacity. There was a cream called Vigor. Dragées des Fakirs were
‘scientific and immediate.’ A Parisian aphrodisiac powder announced
itself as ‘durable.’ It could be forwarded by mail, from the Scientific
Laboratories. Clients could be interviewed at specified hours. Renox was
a concoction that was urged very persuasively: so too with the
contrivance Heureka. There was another contrivance called Samson,
implicitly suggesting a Biblical valor. Sexine and Stimulol and Dragées
de Vénus were both harmless and effective, according to the laudatory
testimony of the manufacturers themselves.
* * * * *
There was a highly advertised preparation, called Testogan, that implied
stimulating amatory reactions.
* * * * *
A contrivance under the name of Amor Star was formerly advertised in
Europe as very effective, making the agent another Casanova. In Paris, a
preparation called Mono promised rejuvenation for the male.
* * * * *
Many European restaurants practiced a dual role. In addition to their
culinary purpose, they were in a basic sense amatory rendez-vous. During
the First World War German eating-places, variety halls, dance palaces,
and cabarets advertised, with appropriately alluring illustrations:
Wein, Weib Gesang
In other instances, Teutonic gaiety was eulogized as being highly
imitative of Gallic ways. Leben à la Paris—ran the posters:
Damenklub
Maskenbälle
Lustiger Abend
Café Dorian Gray.
These spots were instigations to perversions, amatory practices, and
promiscuities.
* * * * *
Numerous collections of erotica exist in varying degrees of seclusion,
in libraries, state archives, and museums. To a large extent, such
compilations were made during the eighteenth and nineteenth century. The
bibliophile, on his death, usually bequeathed his books and manuscripts
and erotic objects and artifacts to a state or national library. Among
English specialists in this genre were James Campbell, the pseudonym of
J. C. Reddie, William S. Potter, Henry Spencer Ashbee, better known
under his pseudonym of Pisanus Fraxi. In France, the Bibliothèque
Nationale, in its section known as L’Enfer, houses a large collection of
erotic matter.
* * * * *
Public-domain text, read in full here on John Shaqi.
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