And thus it was that John O'Neill's daughter carried her charms and
gifts to London town in the autumn of 1812, when she justified Kemble's
discernment by one of the most brilliant series of impersonations,
ranging from Juliet to Belvidera, that had been seen up to that time on
the English stage. For seven years she shone a very bright star in the
firmament of the drama, winning as much popularity off as on the stage,
before she consented to yield her hand to one of the many suitors who
sought it--Mr William Wrixon Becher, a Member of Parliament of some
distinction. Eliza O'Neill lived to be addressed as "my Lady," and to
see her eldest son a Baronet, and her second boy wedded to a daughter of
the second Earl of Listowel.
Five years before Miss O'Neill's Juliet came to captivate London,
another idol of the stage was led to the altar by William, first Earl of
Craven. Louisa Brunton, for that was the name of Craven's Countess, was
cradled, like her successor, on the stage; for her father was well known
at every town on the Norwich Circuit as manager of a popular company of
actors, as devoted to his family of eight children as to his art. When
Louisa made her entry into the world she was the sixth of the clamorous
flock who roamed the country in the wake of their strolling father; and
it would have been odd indeed if she had not acquired a love of the
theatre to stimulate the acting strain in her blood.
Such were the charms and talent that the child developed that, by the
time she came to her eighteenth birthday she was carried off to London
to appear at Covent Garden Theatre as Lady Townley in _The Provoked
Husband_; and the general verdict was that no such clever acting had
been seen since Miss Farren was lured from the stage by a coronet. And
not only did she create an immediate sensation by her acting; her
beauty, which a contemporary writer tells us, "combined the stateliness
of Juno with the gentler and beauty of a Venus," made her a Queen of
Hearts as of actresses. So seductive a prize was not likely to be long
left to adorn the stage; and although Miss Brunton consistently turned a
blind eye to many a seductive offer, she had to succumb when his
Lordship of Craven joined the queue of her courtiers. Four years of
stage sovereignty and then the coronet of a Countess; such was the
record of this daughter of a strolling player, whose greatest ambition
had been to provide food enough for his hungry family. Lady Craven lived
nearly sixty years to enjoy her dignities and splendours, surviving long
enough to see her grandson take his place as third Earl of his line.
[Illustration: HARRIET, DUCHESS OF ST ALBANS]
Public-domain text, read in full here on John Shaqi.
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