Section 4. This had come so very easily to Thyrsis that he could not believe that it was good. “Just a little story,” he said to Corydon, when he read it to her, and he was surprised to see how it affected her--how the tears welled into her eyes, and she clung to him sobbing. It meant more to her than any other thing that he had written; it was the very voice of their tenderness and their grief. Then Thyrsis took it to the one editor he knew who was a lover of poetry, and was surprised again, at this man’s delight. But he smiled sadly as he realized that the editor did not use poetry--they did not praise so recklessly when it was a question of something to be purchased! “The poem is too long for any magazine,” was the verdict, “and it’s not long enough for a book. And besides, poetry doesn’t sell.” But none the less Thyrsis, who would never take a defeat, began to offer it about; and so “Caradrion” was added to the list of stamp-consuming manuscripts, and set out to see the world at the expense of its creator’s stomach. So there was one more wasted vision, one more futile effort--and one more grapple with despair, in the hours when he and his wife sat wrapped in a blanket in the tenement-room. Corydon was growing more nervous and unhappy every day, it seemed to him. There were, apparently, endless humiliations to be experienced by a woman “whose husband did not support her”. Some zealous relative had suggested to her the idea that the “hall-boys” might think she was not really married; and so now she was impelled to speculate upon the psychology of these Ethiopian functionaries, and look for slights and disapproval from them! Thyrsis, from much work and little sleep, was haggard and wild of aspect; the cry of the world, “Take a position!” rang in his ears day and night. The springs of book-reviews had dried up entirely, and by sheer starvation he was forced to a stage lower yet. A former college friend was editing a work of “contemporary biography”, and offered Thyrsis some hack-writing. It meant the carrying home of huge bundles of correspondence from the world’s most brightly-shining lights, and the making up of biographical sketches from their eulogies of themselves. With every light there came a portrait, showing what manner of light it was. As for Thyrsis, he did his writing with the feeling that he would like to explore with a poniard the interiors of each one of these people.