When Thyrsis received this, he racked his brains once more; and then he sat down and wrote a letter to Barry Creston. He told how he had worked over the play, and how it had gone to ruin; he told of his present plight. He knew, he said, that Mr. Creston had been interested in the play, and that he was a man understood the needs of the artist-life. Would he lend two hundred dollars, which would suffice until Thyrsis could get another work completed? He waited a week for a reply to this; and when it arrived he opened it with trembling fingers. He half expected a check to fall fluttering to the floor; but alas, there was not a single flutter. “I have read your letter,” wrote the young prince, “and I have considered the matter carefully. I would do what you ask, were it not for my conviction that it would not be a good thing for you. It seems to me the testimony of all experience, that artists do their great work under the spur of necessity. I do not believe that real art can ever be subsidized. It is for men that you are writing; and you must find out how to make men hear you. You may not thank me for this now, but some day you will, I believe.” After duly pondering which communication, Thyrsis racked his wits, and bethought him of yet another person to try. He sat himself down and addressed Mr. Robertson Jones. He explained that he was in this cruel plight, owing to his having devoted so many months to “The Genius.” Even the actors had received something for the performances of the play they had given; but the author had received nothing at all. He asked Mr. Jones for a personal loan to help him in a great emergency; and he promised to repay it at the earliest possible moment. To which Mr. Jones made this reply--“Inasmuch as the failure of the play was due solely to your own obstinacy, it seems to me that your present experiences are affording exactly the discipline you need.” Section 5. However, there are many ups and downs in the trade of free-lance writer. The very day after he had received this letter, there came, in quick succession two bursts of sunlight through the clouds of Thyrsis’ despair. The first was a letter, written in a quaint script, from a man who explained that he was interested in a “Free People’s Theatre” in one of the cities of Germany. “You will please to accept my congratulations,” he wrote; “I had never known such a play as yours in America to be written. I should greatly be pleased to translate the play, so that it might be known in Germany. Our compensation would have to be little, as you will understand; but of appreciation I think you may receive much in the Fatherland.”