“Yes. He’s a big husky ‘advertising man’--he looks like a prize-fighter.
He said if I could write, to go ahead and prove it. He pays a cent
for five words--a hundred dollars for a complete serial. He pays on
acceptance; and he said he’d read a scenario for me. So I’m going to try
it.”
“What’s it to be about?” asked Corydon.
“I’m going to try what they call a ‘Zenda’ story,” said Thyrsis. “The
editor says the readers of the ‘Treasure Chest’ haven’t got tired of
‘Zenda’ stories.”
And so Thyrsis spent the afternoon and evening wandering about in
the park; and sometime after midnight he wrote out his scenario. The
advantage of a “Zenda” story was that, as the adventures happened in an
imaginary kingdom, there would be no need to study up “local color”. As
for the conventional artificial dialect, he could get it from any of the
“romances” in the nearby circulating library. He did not dare to take
the scenario the next day, but waited a decent interval; and when he
returned it was to report that the story was considered to be promising,
and that he was to write twenty thousand words for a test.
Section 9. So Thyrsis shut himself up and went to work. Sometimes he
wrote with rage seething in his heart, and sometimes with laughter on
his lips. This latter was the case when he did the love-scenes--because
of the “passion and color” he bestowed upon the fascinating countess
and the clever young American engineer. He could have written the twenty
thousand words in three days; but he waited ten days, so that the editor
might not think that he was careless. And three days later he went back
for the verdict.
The editor said it was good, and that if the rest was like it he would
accept the story. So Thyrsis went to work again, and finished the
manuscript, and put it away until time enough had elapsed. And meanwhile
came a letter from the literary head of the third publishing-house,
regretting that he could not accept the book.
It was such a friendly letter that Thyrsis went to call there, and met a
pleasant and rather fine-souled gentleman, Mr. Ardsley by name, who told
him a little about the problems he faced in life.
“You have a fine talent,” he said--“you may even have genius. Your book
is obviously sincere--it’s _vêcu,_ as the French say. I suspect you must
have been in love when you wrote it.”
“In a way,” said Thyrsis, flushing slightly. He had not intended that to
show.
The other smiled. “It’s overwrought in places,” he went on, “and it
tends to incoherency. But the main trouble is that it’s entirely over
the heads of the public. They don’t know anything about the kind of love
you’re interested in, and they’d laugh at it.”
“But then, what am I to do?” cried Thyrsis.
“You’ll simply have to keep on trying, till you happen to strike it.”
“But--how am I to live?”
Public-domain text, read in full here on John Shaqi.
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