London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
'Not very well. You can't think how much jealousy there is in these
things! When you rehearse with people day after day you begin to find
out what their real characters are. And Mitchell always had a very nasty
temper. Of course, _he_ says it's quick and soon over. He thinks that's
the best kind to have. I think he's rather proud of it. The fact is he
has it so often that it's as bad as if it were slow and not soon over.
First of all, you know, there was a kind of scene about whether or not I
should shave for the part of the footman. _He_ said I ought. _I_
declared I wouldn't ruin my appearance just for the sake of a miserable
little part like that; in fact, I might say for a few minutes in a
couple of hours during one evening in my life! At last we compromised.
I'm to wear a kind of thing invented by Clarkson, or somebody like that,
which gums down the moustache, so that you don't notice it'
'But you don't notice it, anyhow, much.'
'What do you mean by that?'
'I don't mean anything. But I never heard of anybody noticing it. No-one
has ever made any remark to me about it.'
'They wouldn't take the liberty. It can't have passed unnoticed,
because, if it had, why should Mitchell ask me to shave?'
'There is something in that, I must admit,' she answered.
'Well, I consented to this suggestion of Mitchell's, though I don't like
it at all, and I daresay it will spoil my appearance altogether. It was
about something else we had a bit of a tiff this afternoon. We were
going through the whole play, and one or two people were to be allowed
to see us. Mitchell said he expected a certain manager, who is a pal of
his, to criticise us--give us some hints, and so on. I saw a man who
hadn't been there before, and I spotted him at once. He looked like a
celebrity. Without waiting for an introduction, I went up and asked him
what he thought of our performance. He said it seemed all right. Then I
asked him if he considered my reading of my part what he would have done
himself, and he laughed and said, "Yes, very much the same." We were
criticising the other actors and having a long talk--at least _I_ was
having a long talk,--_he_ didn't say much--when he suddenly said, "I'm
afraid you must excuse me," and went away. Then Mitchell came up to me
and said, "How on earth is it you had so much to say to that chap?" I
said (still believing he was the manager) that he was an old
acquaintance of mine, at least, I had known him a long time--on and
off--and that he seemed very pleased to see me again. Mitchell said,
"Oh, you met him before today, did you?" I answered, "Yes, rather," and
I said, "He was very friendly, I must say. He's very pleased with my
performance. I shouldn't be surprised if he sends me a box for his First
Night. If he does you must come, you and Mrs Mitchell." As a matter of
fact, I _had_ hinted that I should like a box for the First Night at the
Haymarket, and he had laughed good-naturedly, and said, "Oh, yes." So it
Public-domain text, read in full here on John Shaqi.
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