London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
'All right, come to see me next time in your Brixton-Viennese costume,
and we'll have a long talk. I think you're pleased I've got a little
trouble. Aren't you?'
'Oh, no--I don't want you to have trouble. But I should like you to own
_he_ isn't so wonderful, after all.'
'But I don't own that--not in the least. The thing is, you see'--she
waited a minute--'I believe I'm still jealous of Mrs Raymond.'
'But she isn't Mrs Raymond any more. You surely don't imagine that he
flirts with his aunt?'
'Of course not--how absurd you are! That's a ridiculous way to put it.
No--he won't even see her.'
'Is that what you complain of?'
'His avoiding her shows he still thinks of her. It's a bad sign--isn't
it? What I feel is, that he still puts her on a pedestal.'
'Well, that's all right. Let her stay there. Now, Hyacinth, when people
know what they want--really _want_ something acutely and definitely--and
don't get it, I can pity them. They're frustrated--scored off by fate,
as it were; and even if it's good for them, I'm sorry. But when they
_have_ got what they wanted, and then find fault and are not satisfied,
I can't give them any sympathy at all. Who was it said there is no
tragedy like not getting your wish--except getting it? You wanted Cecil
Reeve. You've got him. How would you have felt if the other woman had
got him instead?'
'You're right, Anne--I suppose. And yet--do you think he'll ever quite
forget her?'
'Do you think, if you really tried hard, you could manage to find out
what your grievance is, Hyacinth?'
'Yes.'
'Well, then, try; and when you've found it, just keep it. Don't part
with it. A sentimental grievance is a resource--it's a consolation for
all the prosaic miseries of life. Now I must go, or I shall be late for
high tea.'
CHAPTER XXIX
The Ingratitude of Mitchell
Since Bruce had had the amateur-theatrical trouble, he had forgotten to
have any other illness. But he spent many, many half-hours walking up
and down in front of the glass rehearsing his part--which consisted of
the words, _'Ah, Miss Vavasour, how charming you look--a true Queen of
Night! May a humble mandarin petition for a dance?'_ He tried this in
many different tones; sometimes serious and romantic, sometimes
humorous, but in every case he was much pleased with his reading of the
part and counted on a brilliant success.
One evening he had come home looking perturbed, and said he thought he
had caught a chill. Eucalyptus, quinine, sal-volatile, and clinical
thermometers were lavishly applied, and after dinner he said he was
better, but did not feel sufficiently up to the mark to go through his
part with Edith as usual, and was rather silent during the rest of
the evening.
When he came down to breakfast the next morning, Edith said--
'Do you know Anne's come back?'
'Who's Anne?'
'Anne. Hyacinth's companion. Miss Yeo, I mean.'
'Come back from where?'
'Don't you remember about her going away--about her mysterious
disappearance?'
Public-domain text, read in full here on John Shaqi.
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