'You are very disagreeable, and I will not talk any more to you. I shall
go and look for some stag's-horn moss instead;' and Audrey sprang up
from her couch of heather and marched away, while Michael lay face
downward, with his peaked cap drawn over his eyes, and watched her
roaming over the moor.
Now, why was Audrey declaiming after this fashion? and why did she take
it into her head to air all sorts of independent notions that quite
shocked her mother? and why was she for ever drawing plans to herself of
a life that should be solitary, and yet crowded with interests--whose
keynote should be sympathy for her fellow-creatures and large-hearted
work among them? and, above all, why did she want to persuade herself
and Michael that this was the sort of life best fitted for her? But no
one could answer these questions; so complex is the machinery of
feminine nature, that perhaps Audrey herself would have been the last to
be able to answer them.
But she was very happy, in spite of all these crude theories--very happy
indeed; some fulness of life seemed to enrich her fine, bountiful
nature, and to add to her sense of enjoyment. Sometimes, when she was
sitting beside some mountain beck, in the hush of the noontide heat,
when all was silent and solitary about her except the gauzy wings of
insects moving above the grasses, a certain face would start up against
the background of her thoughts--a pair of dark, wistful eyes would
appeal to her out of the silence. That mute farewell, so suggestive, so
full of pain--even the strong warm grasp with which her hand had been
held--recurred to her memory. Was he still missing her, she wondered, or
had Miss Frances contrived to comfort him?
Miss Frances was very seldom mentioned in Cyril's frequent letters to
Kester. The boy used to bring them to Audrey to read with a glow of
satisfaction on his face.
'Cyril is awfully good,' he said once; 'he never used to write to me at
all; mother always had his letters. But look what a long one I have had
to-day--two sheets and a half--and he has asked such a lot of questions.
Please, do read it, Miss Ross; there are heaps of messages to
everybody.'
Audrey was quite willing to read it. As she took the letter, she again
admired the clear, bold handwriting. It was just like the writer, she
thought--frank, open, and straightforward. But as she perused it, a glow
of amusement passed over her face.
Public-domain text, read in full here on John Shaqi.
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