He knew he had no taste for gallantry, and he felt morally certain that Lucia hadn’t either.... What then could she mean by those little tweaks and pressures? Conning them over for the second time, it struck him more forcibly than before that she had only indulged in these little licentiousnesses when there was someone else present. Little as he knew of the ways of lovers, he always imagined that they exchanged such tokens chiefly in private, and in public only when their passions had to find a small safety-valve. Again, if she had had designs on his virtue, she would surely, having got him alone, have given a message to her servants that she was out and not have had Lord Limpsfield admitted.... He felt sure she was up to something, but to his dull male sense, it was at present wrapped in mystery. He did not want to give up all those charming hospitalities of hers, but he must needs be very circumspect. It was, however, without much misgiving that he awaited her next morning at the doors of the little Rutland Gallery, for he felt safe in so public a place as a private view. Only a few early visitors had come in when Lucia arrived, and as she passed the turnstile showing the two cards of invitation for herself and Pepino, impersonated by Stephen, she asked for hers back, saying that she was only going to make a short visit now and would return later. She had not yet seen the caricature of herself and Pepino, for which Bertie Alton (she still stuck to this little mistake) had accepted a commission, and she made her way at once to Numbers 39 and 40, which her catalogue told her were of Mr. and Mrs. Philip Lucas. Subjoined to their names were the captions, and she read with excitement that Pepino was supposed to be saying “At whatever personal inconvenience I must live up to Lucia” while below Number 40 was the enticing little legend “Oh, these duchesses! They give one no peace!” ... And there was Pepino, in the knee-breeches of levee dress, tripping over his sword which had got entangled with his legs, and a cocked-hat on the back of his head, with his eyes very much apart, and no nose, and a small agonized hole in his face for a mouth.... And there was she with a pile of opened letters on the floor, and a pile of unopened letters on the table. There was not much of her face to be seen, for she was talking into a telephone, but her skirt was very short, and so was her hair, and there was a wealth of weary resignation in the limpness of her carriage. Lucia examined them both carefully, and then gave a long sigh of perfect happiness. That was her irrepressible comment: she could not have imagined anything more ideal. Then she gave a little peal of laughter. “Look, Stephen,” she said. “Bobbie--I mean Bertie--really is too wicked for anything--Really, outrageous! I am furious with him, and yet I can’t help laughing. Poor Pepino, and poor me! Marcia will adore it. She always says she can never get hold of me nowadays.”