‘I should think so,’ she said. ‘And I suppose that even this solitude
becomes companionable in a way that only those who have experienced it
can understand?’
He looked at her with some surprise and with a new interest and strange
sense of kinship.
‘Yes,’ he replied. ‘That’s it--that is it exactly. How did you know?’
‘It isn’t necessary to go into the deserts and steppes to feel a bit
lonely now and then, is it?’ she said, with a laugh. ‘I suppose most of
us get some sort of notion of solitude at some time or other.’
At that juncture Haidee entered, and Saxonstowe turned to her with a
good deal of curiosity. He was somewhat surprised to find that ten years
of added age had made little difference in her. She was now a woman, it
was true, and her girlish prettiness had changed into a somewhat
luxurious style of beauty--there was no denying the loveliness of face
and figure, of charm and colour, he said to himself, but he was quick to
observe that Haidee’s beauty depended entirely upon surface qualities.
She fell, without effort or consciousness, into poses which other women
vainly tried to emulate; it was impossible to her to walk across a room,
sit upon an unaccommodating chair, or loll upon a much becushioned sofa
in anything but a graceful way; it was equally impossible, so long as
nothing occurred to ruffle her, to keep from her lips a perpetual smile,
or inviting glances from her dark eyes. She reminded Saxonstowe of a
fluffy, silky-coated kitten which he had seen playing on Lady
Firmanence’s hearthrug, and he was not surprised to find, when she began
to talk to him, that her voice had something of the feline purr in it.
Within five minutes of her entrance he had determined that Mrs. Damerel
was a pretty doll. She showed to the greatest advantage amidst the
luxury of her surroundings, but her mouth dropped no pearls, and her
pretty face showed no sign of intellect, or of wit, or of any strong
mental quality. It was evident that conversation was not Mrs. Damerel’s
strong point--she indicated in an instinctive fashion that men were
expected to amuse and admire her without drawing upon her intellectual
resources, and Saxonstowe soon formed the opinion that a judicious use
of monosyllables would carry her a long way in uncongenial company. Her
beauty had something of sleepiness about it--there was neither vivacity
nor animation in her manner, but she was beautifully gowned and
daintily perfect, and as a picture deserved worship and recognition.
Public-domain text, read in full here on John Shaqi.
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