In the end the formalities proved to be just that, and no more. Two
days later a body was found in the Grand Canal, having been in the
water apparently about thirty hours. Amedeo and I identified it. The
inference was that, although Louis had no stomach for fighting, he had
that form of courage in which his master had at the last moment failed;
it is probable that he was not a good Catholic. I felt indebted to him
for the manner of his end; it saved us a vast deal of trouble. Poor
wretch! I do not believe that he had any more intention of killing
Arsenio than I had myself. The knowledge of all that money overcame his
cupidity; perhaps he felt some proprietary right in it! The possession
of the revolver probably screwed him up to the enterprise. But the
actual shooting was, I dare swear, an instinctive act of self-defense;
Arsenio’s furious, seemingly exultant, rush terrified him. Anyhow,
there was an end of him; the mascot had brought the luck and, having
fulfilled its function, went its appointed way.
But by no means yet an end of Don Arsenio Valdez! That remarkable
person had prepared posthumous effects, so characteristic of him
in their essence, yet so over-characteristic, that he seemed to be
skillfully burlesquing or travestying himself: in those last days
he must have been in a state of excitement almost amounting to
light-headedness (he had seemed barely sane at the banquet), a complete
prey to his own vanity and posturing, showing off on the brink of the
grave, contriving how to show off even after it had closed over him;
and speculating—I do not in the least doubt—how all the business would
impress Lucinda. One thing fails to be said about it: he succeeded in
stamping it with that vinegary comedy which was the truest hall mark of
Monkey Valdez.
Public-domain text, read in full here on John Shaqi.
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