His words had given me material for a half-amused, half-scared
reflection—the mood which the neighborhood of Lady Dundrannan—and
much more the possibility of any conflict with Lady Dundrannan—always
aroused in me. Sir Paget’s letter had reflected—in a humor slightly
spiced with restiveness—the present relations between Cragsfoot and
Briarmount. What would they be with me in residence, and presently in
possession? With me and my family there, as Godfrey Frost said? My
family which did not exist at present!
But I did not sit there reflecting. I paid for our
refreshments—Godfrey, in his preoccupation, had omitted even to offer
to do so—and went back to the _palazzo_. Old Amedeo waylaid me in
the hall and told me that Donna Lucinda had requested me to pay her
a visit as soon as I returned from the funeral; but he prevented me
from obeying her invitation for a few minutes. He was in a state of
exultation that had to find expression.
“Ah, what a funeral! You saw me there? No! But I was, of course. A
triumph! The name of Valdez will stand high in Venice henceforth! Oh, I
don’t like Panizzi and that lot, any more than Father Garcia does. My
sympathies are clerical. None the less, it was remarkable! Alas, what
wouldn’t Don Arsenio have done if he hadn’t been cut off in his youth!”
That was a question which I felt—and feel—quite incapable of answering,
save in the most general and non-committal terms. “Something
astonishing!” I said with a nod, as I dodged past the broad barrier of
Amedeo’s figure and succeeded in reaching the staircase.
Right up to the top of the tall old house I had to go this time—past
Father Garcia and his noble “Black” friends, past the scene of the
banquet and the scene of the catastrophe. I think that Lucinda must
have been listening for my steps; she opened the door herself before I
had time to knock on it.
She was back in the needlewoman’s costume now—her black frock, with
her shawl about her shoulders. Perhaps this attire solved the problem
of mourning in the easiest way; or perhaps it was a declaration of
her intentions. I did not wait to ask myself that; the expression of
her face caught my immediate attention. It was one of irrepressible
amusement—of the eager amusement which seeks to share itself with
another appreciative soul. She caught me by the hand, and drew me
in, leading me through the narrow passage to the door of her sitting
room—much of a replica of Arsenio’s on the floor below, though the
ceiling was less lofty and the windows narrower.
Then I saw what had evoked the expression on her face. Between the
windows, propped up against the discolored old hangings on the wall,
stood the largest wreath of _immortelles_ which I have ever seen on or
off a grave, in or out of a shop window; and, occupying about half of
the interior of the circle, there was a shield, or plaque, of purple
velvet—Oh, very sumptuous!—bearing an inscription in large letters of
gold:
Public-domain text, read in full here on John Shaqi.
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