Lucius Davoren; or, Publicans and sinners, vol. 1Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 1
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
She was to sing on the following evening. ‘If her child is worse, she
will not appear,’ he thought. But when he called at the little shop
that afternoon, he heard the child was somewhat better, and that she
meant to sing.
‘There was some grapes came last night, sir, soon after you left,’ said
the widow. ‘Was it you that sent them? Mrs. Bertram seemed so pleased.
The poor little thing was parched with fever, and the grapes was such a
comfort.’
‘You didn’t say anything about me?’ said Geoffrey.
‘Not a syllable, sir.’
‘That’s right. I’ll send more grapes. If there is anything else I can
do, pray let me know. I’m such a stupid fellow. You may send me a dozen
of those handkerchiefs,’—without looking at the fabric, which was
about good enough for his groom. ‘I shall be so grateful to you if you
can suggest anything that I could do for the little girl.’
‘I don’t think there’s anything, sir. Her mar lets her want for
nothing. But the grapes was a surprise. “I didn’t think there were
any to be had,” Mrs. Bertram said. But perhaps she’d hardly go to the
price, sir; for she doesn’t seem to be very well off.’
Pinched by poverty! What a pang the thought gave him! And he squandered
his useless means without being able to purchase contentment. He had
been happy enough, certainly, in his commonplace way, before he had
seen her; but now that he had tasted the misery of loving her, he could
not go back to that empty happiness—the joy of vulgar minds, which need
only vulgar pleasures.
He was in his seat in the front row when the concert began. Whatever
musical faculty might be latent in his composition stood a fair chance
of development nowadays, so patiently did he sit out pianoforte solos,
concertante duets, trios for piano, violin, and ’cello; warblings,
soprano and contralto, classical or modern; hearing all alike with the
same callous ear till she appeared—a tall slim figure simply robed; a
sad sweet face, full of a quiet pride that seemed to hold him aloof,
yet with that fleeting look of love and pity in those tender eyes which
seemed to draw him near.
To-night that serious countenance was in his eyes supremely pathetic;
for he knew her secret sorrow, knew that her heart was with her sick
child.
She sang one of the old familiar songs—nothing classical, only an
old-fashioned English ballad, ‘She wore a wreath of roses,’ a simple
sentimental story of love and sorrow. The plaintive notes moved many to
tears, even the Stillmingtonites, who were not easily melted, being too
eminently genteel for emotion.
‘Good heavens, what a fool she makes of me!’ thought Geoffrey; ‘I who
never cared a straw for music.’
He waited near a little door at the back of the Assembly Rooms, by
which he knew the concert people went in and out—waited until Mrs.
Bertram emerged, one of the earliest. She was not alone. Her landlady’s
daughter, the young woman in corkscrew ringlets, accompanied her. He
followed them at a respectful distance, observed by neither.
Public-domain text, read in full here on John Shaqi.
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