Lucius Davoren; or, Publicans and sinners, vol. 1Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 1
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
‘All the tunes sounded so much alike. Want of taste on my part, of
course. However, my cousins—Arabella and Jessie, nice girls, but
domineering—insisted that I should go to concerts, so I went. They
both sing and play, and wanted to improve their style, they said;
selfishly ignoring the fact that I had no style to improve; and
allowing me to pay for all the tickets. One morning—splendid weather
for snowballing; I wished myself young again and at Winchester, as
I looked at the streets—we went to a Recital, which took place in a
dreary-looking house near Manchester-square, by the kind permission
of the tenant. The concert people might as well have borrowed a
roomy family vault. It would have been quite as cheerful. Well, we
surrendered our tickets—parallelograms of sky-blue pasteboard, and
uncommonly dear at half a guinea—to a shabby footman, who ushered us
up-stairs over a threadbare stair carpet to a faded drawing-room, where
we found some elderly ladies of the dowdy order, and a miscellaneous
collection of antique gentlemen in well-worn coats of exploded cut.
These I took to represent the musical nobility. It was not a cheerful
concert. First came a quartette, in ever so many parts, like a dull
sermon; a quartette for a piano, violoncello, and two fiddles, with
firstly, and secondly, and thirdly. Every now and then, when the
violoncello gave forth rather deeper groans than usual, or one of
the fiddles prolonged a wire-drawn note, the musical nobility gave a
little gasp, and looked at one another, and one of the old gentlemen
tapped the lid of his snuffbox. After the quartette we had a pianoforte
solo, to my unenlightened mind an arid waste of tuneless chords,
and little meandering runs to nowhere in particular, a little less
interesting than a problem in Euclid. I prefer my cousin Arabella’s
hearty thumping, and frantic rushes up and down the keyboard, to this
milk-and-water style, which is, I understand, classical. Number three
was a vocal duet by Handel, which I won’t describe, as it lulled me
into a placid slumber. When I reopened my eyes there was a gentle
murmur of admiration floating in the atmosphere; and I beheld a lady
dressed in black, with a sheet of music in her hand, waiting for the
end of the symphony.’
‘_The_ lady, I suppose,’ said Lucius, duly interested.
Public-domain text, read in full here on John Shaqi.
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