Lucius Davoren; or, Publicans and sinners, vol. 1Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 1
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
Their eyes met once in the look she cast round the room. Great Heaven,
what regretful tenderness in hers! Such a look as that maddened him.
Had she but looked at him thus to-day in the garden, he would surely
have done something desperate—clasped her in his arms, and sworn to
carry her to the uttermost ends of the earth, if thereby he might be
sure of his prize. Could she look at him thus, she who had been colder
than the icy breath of the polar seas, when he had pleaded with all the
force of his passion two short hours ago?
His eyes never left her face while she sang. When she vanished, the
platform was a blank. Other performers came and went; there was other
music, vocal and instrumental—to him it seemed no more than the
vague murmur of a far-off waterfall in the ears of slumber. She came
back again, after an interval that seemed intolerably long, and sang
something of Balfe’s—a poem by Longfellow, called ‘Daybreak’—mournful,
like most of her songs, but full of music.
During the interval between the two concerts Geoffrey paced
Stillmington and its environs with an indefatigable industry that might
have shamed the local postman, for _he_ at least was weary, while
Geoffrey knew not weariness. Vainly did he haunt that aristocratic
High-street, vainly linger by the door of the circulating library, the
fancy repository, the music-shop where somebody was perpetually trying
pianos with woolly basses and tinkling trebles; vainly did he stroll in
and out of the garden where he had dared to molest Mrs. Bertram with
his unwelcome adoration,—she was nowhere to be met with.
One comfort only remained to him, a foolish one, like all those
fancies whence love derives consolation. He knew where his enchantress
lived, and in the quiet dusk, when the gentle hush of evening enfolded
Stillmington like a mantle, he would venture to pace the lonely street
beneath her windows; would watch her taper gleaming faintly in that
gray nightfall which was not yet darkness, would, as it were, project
his spirit into her presence, and keep her company in spite of herself.
The street where she lodged was on the outskirts of the town, newly
built—a street of commonplace dwellings of the speculative builder’s
pattern; a row of square boxes, with not a variation of an inch from
number one to number thirty; sordid, unpicturesque: habitations which
even love could not beautify. Mrs. Bertram occupied the upper floor
above a small haberdasher’s shop, such a shop as one felt could be
kept only by a widow—a scanty display of poor feminine trifles in the
window, children’s pinafores, cheap gloves, cheap artificial flowers,
cheap finery of divers kinds, whose unsubstantial fabric a spring
shower would reduce to mere pulp or rag useless even for the paper-mill.
Public-domain text, read in full here on John Shaqi.
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