Lucius Davoren; or, Publicans and sinners, vol. 2Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 2
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
He sat down amidst these tokens of her presence, and stared at the
flame of the candle, sorely troubled in mind. What was this gulf
between them, this feeling of severance that was so strange to his
heart? Why was it that there returned to him ever and anon a suspicion
formless, inexplicable, but which troubled him beyond measure? He
strove to escape from gloomy thoughts by the aid of an old enchanter.
He took his violin from its hiding-place, and began to play a tender
_sotto-voce_ strain, which soothed his troubled mind. His thoughts
drifted into a smoother channel. He thought of that grand discovery
made to-night—a discovery which, at another time, he would have deemed
all-sufficient for happiness: Lucille was not the child of the wretch
his hand had slain. The comfort of that thought was measureless.
Could he do wrong in accepting the evidence of those letters—in giving
them this interpretation? Surely not. They seemed to point but to one
conclusion. They told a story in which there were few missing links. It
remained for him to trace the father who had thus abandoned his child.
It would be a more pleasing task than that which Lucille had imposed
upon him when she bade him seek for Ferdinand Sivewright.
But why had this father—who from the tone of his letters seemed to have
been fond of his child—abandoned her entirely to her fate, and made no
effort to reclaim her in after years? That question might be answered
in two ways. The father might have died years ago, carrying his secret
with him to the grave. Or it is just possible that this man, in whom
weakness might be near akin to wickedness, had made some advantageous
alliance after the death of Lucille’s mother, and had deemed it wise to
be silent as to his first marriage, even at the cost of his daughter’s
love.
Thus reasoned Lucius as he played a slow pensive melody, always _sotto
voce_.
Thought and music together had beguiled him into forgetfulness of time.
The clock struck nine while he was still playing.
He put down his violin immediately, left the lighted candle on the
table, and went out to the back door. Mr. Wincher was there before him,
the door open, and two men standing on the threshold.
‘We’ve got our orders from Mr. Otranto, sir,’ said the elder of the
two. ‘I’m to stop all night in the room that contains the vallibles,
and my mate is to be in and out and keep a hi upon the back premises.
But if you have anything you’d like to suggest, sir, we’re at your
service.’
‘No,’ said Lucius; ‘I’ve no doubt Mr. Otranto knows his business a
great deal better than I do. Come with me, Mr.—’
‘Simcox, sir. My mate is Joe Cleaver.’
‘Come with me then, Mr. Simcox, and I’ll show you the room that needs
watching. Mr. Cleaver can stay in the kitchen. I daresay he can make
himself comfortable there.’
‘Purvided he isn’t timid of beadles,’ interjected Mrs. Wincher; ‘which
the crickets are that tame they plays about the table while we’re at
supper.’
Public-domain text, read in full here on John Shaqi.
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