Lucius Davoren; or, Publicans and sinners, vol. 3Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 3
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
It is the April of the following year. Mr. Sivewright’s collection
has been sold in February, and the sale, happening in a halcyon
period for the disposal of bric-à-brac, has justified the collector’s
proudest hopes. He has divided the proceeds into two equal portions,
one of which he has bestowed upon Lucius as Lucille’s dower; and with
a part of this money Lucius has bought a modest practice, with the
potentiality of unlimited improvement, in a narrow street, situated in
that remote, but not unaristocratic region, beyond Manchester-square.
It is late in April, Lent is just over; there are wallflowers for sale
on the greengrocers’ stalls, a perfume of spring in the atmosphere,
even at the eastern end of London. The spar-forests yonder in the docks
rise gaily against a warm blue sky, whence the smoke clouds have been
swept by the brisk westerly breeze.
Bells are ringing gaily from the crocketed finial of the little
Gothic church whose services Lucius Davoren has been wont faithfully
to attend on his lonely bachelor Sundays; and Lucius, nevermore a
bachelor, leads forth his fair young bride from the same Gothic
temple. Not alone doth he issue forth as bridegroom, for behind him
follow Geoffrey and Janet, who have also made glad surrender of their
individual liberty before the altar in the rose-coloured light of
yonder Munich window, a rose glow which these happy people accept as
typical of the atmosphere of all their lives to come. Trouble can
scarcely approach those whose love and faith are founded on so firm a
rock.
Lucius has kept his promise, and waited for the same April sunlight to
shine upon Geoffrey’s nuptials and his own. Miss Glenlyne has been one
of the foremost figures in the little wedding group, and Mr. Sivewright
has stood up before the altar, strong and solid of aspect as one of the
various pillars of the church, to bestow his adopted granddaughter upon
the man of her choice. Lucille has but one bridesmaid, in the person of
Flossie, who looks like a small Titania, in her airy dress and wreath
of spring blossoms. Never was there a smaller wedding party at a double
marriage, never a simpler wedding.
They go straight from the church to the old house in the Shadrack-road,
which no persuasion can induce Mr. Sivewright to abandon. Here, in the
old panelled parlour, endeared to Lucius by the memory of many a happy
hour with his betrothed, they find a modest banquet awaiting them, and
a serious individual of the waiter-tribe, in respectable black, who has
been sent from Birch’s with the banquet. Moselle corks fly merrily. Mr.
Sivewright does the honours of the feast as gracefully as if he had
been entertaining his friends habitually for the last twenty years.
Lucille and Lucius go round the old house for a kind of farewell,
but carefully avoid that one locked chamber which was the scene of
Ferdinand Sivewright’s dreadful fate, and which has never been occupied
since that night.
Public-domain text, read in full here on John Shaqi.
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