American fiction; Horror tales, American; Short stories, American
The space around their monument which was occupied by the Llewellyn
graves was encircled by a low hedge, not more than knee-high. It had
an opening facing the monument and through this Mrs. Llewellyn and her
brother passed, Vargas some steps behind them. They stopped a pace or
two from the foot of the grave, and turned about. Vargas, keeping his
distance, stopped likewise and likewise turned. Mr. Llewellyn, treading
noiselessly, had stepped aside from the path and took his stand just
inside the hedge. The workmen straggled past him, the superintendent
convoying them. When they had begun to dig, Vargas, like the rest,
watched them. Presently he began to look about him and survey the
cemetery, of which the knoll afforded an extensive view. The weather
gave the prospect an unusual quality, the late spring or early summer
warmth was unrelieved by any positive breeze, the light air stirred
aimlessly, the cloudiness which completely overcast the sky was too
thin to cut off the heat of the sunrays, the foliage was dusty and the
landscape a sickly yellowish green in the weak tepid sunshine. This
eery quality of the scene Vargas felt rather than saw. While the time
taken up with digging postponed the all-important moment, his attention
was divided between the monument and Mr. Llewellyn. He stood with his
weight nearly all on one foot, leaning on the cane his left hand held,
the other gloved hand, holding his hat, hanging at his side. Gazing
straight in front of him toward the monument, rather than at it, there
was about him the look of something inanimate, of something made,
not grown, of an object immovably planted in carven, expressionless
impassivity. The monument, which Vargas saw for the first time, gave
from the perfectly coördinated harmonies of its architectural design,
its delicate reliefs, and its exquisite statuary, an impression of
individuality striking enough to any one at any time and all the more
now by contrast. Any one of its figures seemed instinct with more life
than the man facing it. That member of the little gathering who should
have been most moved, showed no emotion and Vargas himself felt much.
As the digging proceeded, he mostly gazed into the deepening pit, or
watched Mrs. Llewellyn’s back as she stood clinging to her brother’s
arm, leaning against him. When the workmen began to raise the coffin,
he found the emotions of his strained forebodings overmastering him.
His breath quickened and came hard, his heart thumped at his ribs,
his eyes were unexpectedly, inexplicably moist. Glancing back at the
immobile man behind him, through the iridescent film upon his lashes,
he saw but a blurred, vague shape. He strove to regain his composure,
conning the outline of his own barely discernible shadow.
The outer box containing the raised coffin was now supported upon two
pieces of wood thrust under it across the grave. The men unscrewed the
lid and laid it aside. The coffin was of ebony and as fresh as if just
made.
Public-domain text, read in full here on John Shaqi.
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