American fiction; Horror tales, American; Short stories, American
The mellow fall merged into Indian Summer. The days were short and the
afternoons chill. The weather did not permit the evening gatherings on
Case’s veranda. No more did it allow Mary Kenton to sit in her rocker
between the two left-hand columns of the big white portico. Yet it was
both noticeable and noticed that she never failed to step out upon
that portico, no matter what the weather, each afternoon; that in the
twilight or in the late dusk the wave of her hand and the sweep of the
horseman’s big, broad-brimmed felt hat answered each other unfailingly.
The coterie of Case’s chums, friends and hangers-on gathered then
mostly around the generous log-fire in his ample drawing-room, when
they were not in the card-room, the billiard-room or at table. I
made one of that coterie frequently and enjoyed my hours there with
undiminished zest. When I dined there I habitually occupied the foot
of the long table, facing Case at the head. The hall door of the
dining-room was just at my right hand.
One evening in early December I was so seated at the foot of the table.
The weather had been barely coolish for some days, the skies had been
clear and everything was dry. That night was particularly mild. We had
sat down rather early and it was not yet seven o’clock when Pompey
began to pass the cigars. No one had yet lit up. Some one had asked
Case a question and the table was still listening for his answer. I,
like the rest, was looking at him. Then it all happened in a tenth, in
a hundredth of the time necessary to tell it; so quickly that, except
Case, no one had time to move a muscle.
Case’s eyes were on his questioner. I did not see the door open, but
I saw his gaze shift to the door, saw his habitual glance of startled
uncertainty. But instead of the lightning query of his eyes softening
into relief and indifference, it hardened instantaneously into
decision. I saw his hand go to his holster, saw the revolver leap out,
saw the aim, saw his face change, heard his explosive exclamation:
“Good God, it is!” saw the muzzle kick up as the report crushed our ear
drums and through the smoke saw him push back his chair and spring up.
The rest of us were all too dazed to try to stand. Like me they all
looked toward the door.
There stood Mary Kenton, all in pink, a pink silk opera cloak half off
her white shoulders, a single strand of pale coral round her slender
throat, a pink pompom in her glossy hair. She was standing as calmly as
if nothing had happened, her arms hidden in the cloak, her right hand
holding it together in front. Her rings sparkled on her fingers as her
breast-pin sparkled on her low corsage.
“Cousin Cassius,” she said, “you have a theatrical way of receiving
unexpected visitors.”
“Good God, Mary,” he said. “It is really you. I saw it was really you
just in time.”
“Of course it is really I,” she retorted. “Whom or what did you think
it really was?”
“Not you,” he answered thickly. “Not you.”
His voice died away.
Public-domain text, read in full here on John Shaqi.
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