American fiction; Horror tales, American; Short stories, American
“You might as well come with me, Radford,” he said. “You will probably
be best man later anyhow.”
We found Judge Kenton on his porch, and Mary, all in pink, with a pink
rose in her hair, seated between her father and her pretty step-mother.
“I sent Jeff with a note,” Case explained as we approached the steps,
“to make sure of finding them.”
After the greetings were over Case said:
“Judge, I am a man of few words. I love your daughter and I ask your
permission to win her if I can.”
“You have my permission, Suh,” the Judge answered.
Case rose.
“Mary,” he said, “would you walk with me in the garden, say to the
grape arbor?”
When they returned Mary wore a big ruby ring set round with diamonds.
Her color was no bad match for the ruby. And, beyond a doubt, Case’s
cheeks showed a trace of color too.
“Father,” Mary said as she seated herself, “I am going to marry Cousin
Cassius.”
“You have my blessing, my dear,” the Judge responded. “I am glad of it.”
“Everybody will be glad, I believe,” said Mary. “Cassius is glad, of
course, and he is glad of two other things. One is that he feels free
to dine with us to-night, he has just told me so.
“The other” (a roguish light sparkled in her eyes) “he has not
confessed. But I just know that, next to marrying me, the one thing in
all this world that makes him gladdest is that now at last he feels at
liberty to see a horse race and go to the races every chance he gets.”
In fact, when they returned from their six-months’ wedding tour, they
were conspicuous at every race meeting. Case’s eyes had lost their
restlessness and his cheeks showed as healthy a coloring as I ever saw
on any human being.
It might be suggested that there should be an explanation to this tale.
But I myself decline to expound my own theory. Mary never told what
she knew, and her husband, in whose after life there has been nothing
remarkable as far as I know, has never uttered a syllable.
1907
THE HOUSE OF THE NIGHTMARE
THE HOUSE OF THE NIGHTMARE
I FIRST caught sight of the house from the brow of the mountain as I
cleared the woods and looked across the broad valley several hundred
feet below me, to the low sun sinking toward the far blue hills. From
that momentary viewpoint I had an exaggerated sense of looking almost
vertically down. I seemed to be hanging over the checkerboard of roads
and fields, dotted with farm buildings, and felt the familiar deception
that I could almost throw a stone upon the house. I barely glimpsed its
slate roof.
What caught my eyes was the bit of road in front of it, between
the mass of dark-green shade trees about the house and the orchard
opposite. Perfectly straight it was, bordered by an even row of trees,
through which I made out a cinder side path and a low stone wall.
Public-domain text, read in full here on John Shaqi.
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