American fiction; Horror tales, American; Short stories, American
“Yes,” she said, “I was going to tell you but you interrupted me. The
dream about the advertisement did not convince me. I felt it might be
coincidence after all. That was more than a month ago and I disregarded
it. But night before last I dreamed I was told, ‘The message on the
slate will be true.’ I fought against it all day yesterday, all last
night. To-day I gave up and came. I want you to consult your slate for
me.”
“Madame,” he said, “this is dreadful. Can nothing make you see the
truth. There is not anything supernatural about this trade of mine. It
is as simple as a Punch and Judy show. There the puppets do nothing
save as the showman controls them; so of my slate and of my trances.”
“But it might surprise you,” she persisted. “It might come true once.
Won’t you try for me?”
“I know,” he mused, “that there is such a thing as auto-hypnotism. To
humor you I might try to put myself into a genuine trance. But there
would be nothing about it to help you, just a mere natural sleep,
artificially induced. If I babbled in it the words would have no
significance, and no writing would appear on the slate unless I put it
there.”
“Just try,” she pleaded, “for my sake, to quiet me. If there is
nothing, then I shall believe you.”
“There will be nothing on the slate,” he maintained. “But suppose I
should mumble some fragments of words. You might take those accidental
vocables for a revelation, they might become an obsession upon you,
they might warp your judgment and do you great harm. I feel we should
be running a foolish risk. Give up this idea of the trance and the
slate, I beg of you.”
“And I beg of you to try it. You said you would do anything for me.
That is what I want and nothing else.”
He shook his head, his expression crestfallen, baffled, puzzled, even
alarmed.
“If you insist--” he faltered.
“I do insist,” she said.
“You wish,” he inquired, “to proceed exactly as I usually do with my
simulated trance and pretended spirit replies?”
“Precisely,” she affirmed.
He opened a drawer below one of the cabinets and took out a hinged
double slate. It was made like a child’s school-slate, but the rims
instead of being wood, were of silver, the edges beaded and the flat of
each rim chased in a pattern of pentacles, swastikas and pentagrams; a
pentacle, a right-hand swastika, a pentagram, a left-hand swastika and
so on all round. In the drawer was a box of fresh slate-pencils. This
he held out to her and told her to choose one. At his bidding she broke
off a short fragment and put it between the two leaves of the slate,
the four faces of which were entirely blank.
“Settle yourself in your chair,” he instructed her, “hold the slate
in your lap. Hold it fast with both hands. First take off your other
glove.”
As she did this he settled himself into the armchair opposite her, took
a silver paper-knife from the table and held it upright, gazing at its
point.
“You are not to move or speak until I tell you,” he directed her.
Public-domain text, read in full here on John Shaqi.
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