The second, more momentous, fault which Luther committed was to fly
to the extreme even in doctrine, abolishing all that displeased him
and setting up as his main thesis, that man can do nothing, absolutely
nothing, good. Not only did he say: “I learnt nothing in scholastic
theology worth remembering; I only learnt what must be unlearnt, what
is absolutely opposed to Holy Scripture” (“_omnino contraria divinis
litteris_”).[337] He also asserted at a very early period that Holy
Scripture teaches that God’s grace does everything in man of itself
alone without his vital participation, without liberty, without
resolve, without merit. Such a statement does not indeed appear in
the Commentary on the Psalms, but it will be found in his academic
lectures on the Pauline Epistles, more especially in the Commentary
on Romans. For a moment he thought he had discovered in St. Augustine
the necessary weapons against the formalism of his school of theology,
but now St. Paul appeared to him to give the loudest testimony against
it; the Apostle is so determined in his denunciation of the pride of
human reason and human will, and in presenting the Gospel of the Son of
God, faith and grace, as the only salvation of mankind. Luther imagined
he had found in Paul the doctrines which appealed to him: that all
human works were equally useless, whether for eternal salvation or for
natural goodness; that man’s powers are good for nothing but sin; if
grace, which the Apostle extols, is to come to its rights, then we must
say of original sin that it has utterly ruined man’s powers of thinking
and willing so far as what is good in God’s sight is concerned;
original sin still lives, even in the baptised, as a real sin, being an
invincible attraction to selfishness and all evil, more particularly to
that of the flesh; by it the will is so enslaved that only in those who
are justified by grace can there be any question of freedom for good.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account