“As he found great relief from music in his temptations, sadness and
fits of melancholy, he wrote to Ludwig Senftlin [Senfl], the Ducal
Bavarian Band-master, and begged him to set to music the text ‘_In
pace in idipsum dormiam et requiescam_,’ which he did”; it was also
Luther’s custom to have some music after supper with his guests,
“especially devotional music, taken from the Gregorian chants.”[455]
It is a relief to dwell for a moment, at the conclusion of a rather
disagreeable chapter, on the pleasing trait of Luther’s fondness for
the melodies of the Church which he had known and loved from his
youth, and for music generally. Formerly, the notes of the Church’s
chants had summoned him to “raise a clean heart to God,” and now music
assists him to assuage to some extent the storms which rage in his
breast.
His letter to the highly esteemed composer Senfl, who was in the
service of the Duke of Bavaria, is still extant.[456] It is dated
October 4, 1530, and in it Luther asks for a copy of a motet on the
text “_In pace_,” etc., arranged for several voices, should Senfl
have such a thing, for since his boyish days the (Gregorian) melody
to this text had pleased him, and did so still more when he learnt to
understand the meaning of the words of the text. If Senfl had no such
composition in his possession then he would beg him to compose one
later, perhaps after Luther’s death, for he now hoped that death would
soon free him from a world of which he was as weary as it was of him,
one reason why that Antiphon of the entrance into rest was so dear to
him. It is the first Antiphon in the Nocturns of the Holy Saturday
Office and runs: “In peace in the selfsame I will sleep and I will
rest, for Thou, O Lord, hast singularly settled me in hope.”[457]
“We know,” he continues, “that music is hateful and unbearable to
the devils, and I am not ashamed to declare, that next to theology
only music is able to afford interior peace and joy. The devil likes
to cause us trouble and perplexity, but he takes to flight at the
sound of music, just as he does at the words of theology, and for
this reason the prophets always combined theology and music, the
teaching of truth and the chanting of psalms and hymns.” “It was thus
that David with his harp,” he said on another occasion, “allayed
Saul’s temptations when the devil plagued him.... Do not dispute with
the devil about the law, for he is a rare conjurer.”[458] “He has
a bulwark against us in our flesh and blood; ... when he makes me
fancy that God is far from me, I say: Well then, I will cry and call
upon Him.”[459] “ Many temptations and evil thoughts are dispelled
by music.”[460] “Singers are cheerful and drive away cares with
song.”[461]
Public-domain text, read in full here on John Shaqi.
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