brown shadows, being here marked by the wrinkled lines of their currents
and splashed with the sky's reflected blue. An ideal spot for a trout it
doubtless was, and the approaching sportsman exercised unusual care in his
approach, crouching along the bank and finally creeping bent double within
casting distance. Then, as he freed his fly, he saw Joan, like a queen of
the pool reigning motionless and silent. She moved and no fish was likely
to rise after within the visual radius of her sudden action. Thereupon the
angler in the man cursed; the artist in him drew a short, sharp breath. He
scrambled to his feet and looked again upon a beautiful picture. The plump,
baby freshness of Joan's face had vanished indeed, and there was that in
the slightly anxious expression and questioning look of her blue eyes that
had told any medical man he stood before a future mother; but, in her
seated position, no tangible suggestion of a hidden life was thrust upon
the spectator's view. He only saw a wondrously pretty woman in a charming
attitude, amid objects which enhanced her beauty by their own. She seemed a
trifle pale for a cottage girl, but her mouth was scarlet and dewy as ripe
wood-strawberries, her eyes were just of that color where the blue sky
above was reflected and changed to a darker shade by the pools of the
brook. She sat with her hands folded in her lap and looked straight at the
sportsman with a frank interest which surprised him. He was a modest lad,
but the sudden presentment of an object so lovely woke his pluck and he
fished ostentatiously to Joan's very feet, suspecting that the absurdity of
the action would not be apparent to her. She watched the morsel of feather
and fur dragged across the water after the fantastic fashion of the "chuck
and chancer," and he, when her eyes were on the water, kept his own fast
upon her face. Both man and woman were profoundly anxious each to hear the
other's voice, but neither felt brave enough to speak first. Then the
artist's ingenuity found a means, and Joan presently saw his fly stick fast
upon the side of the stream where she sat. The thing was caught at the
seed-head of a rush within reach of Joan's hand, and while this incident
appeared absolutely accidental, yet it was not so, for the artist had long
been endeavoring to get fast somewhere hard by Joan. Now, finding his
maneuver accomplished, he made but the feeblest efforts to loosen the fly,
then raised his hat and accosted Joan.
"Might I trouble you to set my line clear? Ashamed to ask such a thing, but
it would be awfully kind. Oh, thank you, thank you. Take care of your
fingers! The hook is very sharp."
Joan got the fly free in a moment, and then, to Harry Murdoch's
gratification, addressed him. The young fellow was Edmund Murdoch's cousin,
and at present dwelt in Newlyn with the elder artist already mentioned as
John Barron's friend.
Public-domain text, read in full here on John Shaqi.
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