She did not explain to him what difficulties daily grew in the way of her
coming, how rumor was alive, and how her stepmother had threatened more
than once to tell Gray Michael that his wayward daughter was growing a
gadabout. Joan had explained away her roaming with a variety of more or
less ingenious lies, and she always found her brain startlingly fertile
where the artist and his picture were concerned. She felt little doubt that
three more visits to Gorse Point might be achieved--ay, and thirty more if
necessary. But afterward? What would follow the painting of the picture?
She asked herself the question as he kissed her, with a kiss that was
almost rough, while he bid her go quickly; and the former reply to every
doubt made answer. Her fears fled as usual before the invigorating
spectacle of this sterling, truth-loving man. With him all the future
remained and with him only. Hers was the pleasant, passive task of
obedience to one utterly trusted and passionately loved. Her fate lay
hidden in his heart, as the fate of the clay lies hid in the brain of the
potter.
And so home she went, walking in a sunshine of her own thoughts. The clouds
were gone; they massed gloomily on the horizon of the past; but looking
forward, she saw no more of them. All time to come was at the disposition
of the wisest man she had ever met. She did not know or guess at the battle
which this same wise man had fought and lost under her eyes; she gathered
nothing of the truth from his gloom, his silence, his changed voice, his
sudden farewell. She did not know passion when she saw it; and the ugly
visible signs thereof told no tale to her.
CHAPTER FIFTEEN
STORM
That night the change came and the wind veered first to the south, then to
the southwest. By morning, gray clouds hid the sky and hourly grew darker
and lower. As yet no rain fell, but the world had altered, and every
light-value, from an artist's standpoint, was modified.
John Barren sat by his stove in the byre, made himself a cup of black
coffee, and presently, wrapped in a big mackintosh, walked out to Gorse
Point. His picture he left, of course, at the shed, for painting was out of
the question.
Public-domain text, read in full here on John Shaqi.
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