American poetry; Children's poetry, American; Children's poetry, English; English poetry
Yet passeth hour on hour, and the doors they watch and ward
But a long while hear no mail-clash, nor the ringing of the sword;
Then droop the Niblung children, and their wounds are waxen chill,
And they think of the burg by the river, and the builded holy hill,
And their eyes are set on Gudrun as of men who would beseech;
But unlearned are they in craving, and know not dastard's speech.
Then doth Giuki's first-begotten a deed most fair to be told,
For his fair harp Gunnar taketh, and the warp of silver and gold;
With the hand of a cunning harper he dealeth with the strings,
And his voice in their midst goeth upward, as of ancient days he sings,
Of the days before the Niblungs, and the days that shall be yet;
Till the hour of toil and smiting the warrior hearts forget,
Nor hear the gathering foemen, nor the sound of swords aloof:
Then clear the song of Gunnar goes up to the dusky roof,
And the coming spear-host tarries, and the bearers of the woe
Through the cloisters of King Atli with lingering footsteps go.
But Hogni looketh on Gudrun, and no change in her face he sees,
And no stir in her folded linen and the deedless hands on her knees:
Then from Gunnar's side he hasteneth; and lo! the open door,
And a foeman treadeth the pavement, and his lips are on Atli's floor,
For Hogni is death in the doorway: then the Niblungs turn on the foe,
And the hosts are mingled together, and blow cries out on blow.
GUDRUN
Still the song goeth up from Gunnar, though his harp to earth be laid;
But he fighteth exceeding wisely, and is many a warrior's aid,
And he shieldeth and delivereth, and his eyes search through the hall,
And woe is he for his fellows, as his battle-brethren fall;
For the turmoil hideth little from that glorious folk-king's eyes,
And o'er all he beholdeth Gudrun, and his soul is waxen wise,
And he saith: 'We shall look on Sigurd, and Sigmund of old days,
And see the boughs of the Branstock o'er the ancient Volsung's praise.'
Public-domain text, read in full here on John Shaqi.
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