American poetry; Children's poetry, American; Children's poetry, English; English poetry
Of the first, 'Napoleon and the British Sailor' (_The Pilgrim
of Glencoe_, 1842), Campbell writes that the 'anecdote has
been published in several public journals, both French and
English.' 'My belief,' he continues, 'in its authenticity was
confirmed by an Englishman, long resident in Boulogne, lately
telling me that he remembered the circumstance to have been
generally talked of in the place.' Authentic or not, I have
preferred the story to _Hohenlinden_, as less hackneyed, for one
thing, and, for another, less pretentious and rhetorical. The
second (_Gertrude of Wyoming_, 1809) is truly one of 'the glories
of our birth and state.' The third (_idem_) I have ventured to
shorten by three stanzas: a proceeding which, however culpable it
seem, at least gets rid of the chief who gave a country's wounds
relief by stopping a battle, eliminates the mermaid and her song
(the song that 'condoles'), and ends the lyric on as sonorous
and romantic a word as even Shakespeare ever used.
LXVIII
_Corn Law Rhymes_, 1831.
LXIX
From that famous and successful forgery, Cromek's _Remains of
Nithsdale and Galloway Song_ (1810), written when Allan was
a working mason in Dumfriesshire. I have omitted a stanza as
inferior to the rest.
LXXI
_English Songs and other Small Poems_, 1834.
LXXII-LXXVIII
The first is from the _Hebrew Melodies_ (1815); the next is
selected from _The Siege of Corinth_ (1816), 22-33; _Alhama_
(_idem_) is a spirited yet faithful rendering of the _Romance
muy Doloroso del Sitio y Toma de Alhama_, which existed both in
Spanish and in Arabic, and whose effect was such that 'it was
forbidden to be sung by the Moors on the pain of death in Granada'
(Byron); No. LXXV., surely one of the bravest songs in the
language, was addressed (_idem_) to Thomas Moore; the tremendous
_Race with Death_ is lifted out of the _Ode in Venice_ (1819);
for the next number see _Don Juan_, III. (1821); the last of all,
'Stanzas inscribed _On this day I completed my Thirty-sixth year_'
(1824), is the last verse that Byron wrote.
LXXIX
Napier has described the terrific effect of Napoleon's pursuit;
but in the operations before Corunna he was distanced, if not
out-generalled, by Sir John Moore, and ere the first days of
1809 he gave his command to Soult, who pressed us vainly through
the hill-country between Leon and Gallicia, and got beaten
at Corunna for his pains. Wolfe, who was an Irish parson and
died of consumption, wrote some spirited verses on the flight
of Busaco, but this admirable elegy--'I will show you,' said
Byron to Shelley (Medwin, ii. 154) 'one you have never seen,
that I consider little if at all inferior to the best, the
present prolific age has brought forth'--remains his passport
to immortality. It was printed, not by the author, in an Irish
newspaper; was copied all over Britain; was claimed by liar after
liar in succession; and has been reprinted more often, perhaps,
than any poem of the century.
LXXX
Public-domain text, read in full here on John Shaqi.
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