Lysbeth, a Tale of the DutchHaggard, H. Rider (Henry Rider)
History
Lysbeth, a Tale of the Dutch
Haggard, H. Rider (Henry Rider)
Netherlands -- History -- House of Habsburg, 1477-1556 -- Fiction
While they ate the sun sank, and the wind blew so that scarcely could
they make a knot an hour, shift the sail as they might. Then, as there
was no sign of Mother Martha, or any other pilot, they hung out the
four lamps upon the starboard side, and, with a flapping sail, drifted
on gradually, till at length they reached the mouth of the great mere,
an infinite waste of waters—deep in some places, shallow in others, and
spotted everywhere with islets. Now the wind turned against them
altogether, and, the darkness closing in, they were forced to drop
anchor, fearing lest otherwise they should go ashore. One comfort they
had, however: as yet nothing could be seen of their pursuers.
Then, for the first time, their spirits failed them a little, and they
stood together near the stern wondering what they should do. It was
while they rested thus that suddenly a figure appeared before them as
though it had risen from the deck of the ship. No sound of oars or
footsteps had reached their ears, yet there, outlined against the dim
sky, was the figure.
“I think that friend Hans has come to life again,” said Martin with a
slight quaver in his voice, for Martin was terribly afraid of ghosts.
“And I think that a Spaniard has found us,” said Foy, drawing his
knife.
Then a hoarse voice spoke, saying, “Who are you that signal for a pilot
on my waters?”
“The question is—who are you?” answered Foy, “and be so good as to tell
us quickly.”
“I am the pilot,” said the voice, “and this boat by the rig of her and
her signals should be the _Swallow_ of The Hague, but why must I crawl
aboard of her across the corpse of a dead man?”
“Come into the cabin, pilot, and we will tell you,” said Foy.
“Very well, Mynheer.” So Foy led the way to the cabin, but Martin
stopped behind a while.
“We have found our guide, so what is the use of the lamps?” he said to
himself as he extinguished them all, except one which he brought with
him into the cabin. Foy was waiting for him by the door and they
entered the place together. At the end of it the light of the lamp
showed them a strange figure clad in skins so shapeless and sack-like
that it was impossible to say whether the form beneath were male or
female. The figure was bareheaded, and about the brow locks of grizzled
hair hung in tufts. The face, in which were set a pair of wandering
grey eyes, was deep cut, tanned brown by exposure, scarred, and very
ugly, with withered lips and projecting teeth.
“Good even to you, Dirk van Goorl’s son, and to you, Red Martin. I am
Mother Martha, she whom the Spaniards call the Mare and the
Lake-witch.”
“Little need to tell us that, mother,” said Foy, “although it is true
that many years have gone by since I set eyes on you.”
Public-domain text, read in full here on John Shaqi.
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