Lysbeth, a Tale of the DutchHaggard, H. Rider (Henry Rider)
History
Lysbeth, a Tale of the Dutch
Haggard, H. Rider (Henry Rider)
Netherlands -- History -- House of Habsburg, 1477-1556 -- Fiction
“Then, master, you are foolish,” replied Martin, “for I repeat it—flesh
is frail, and I always hated the look of a rack. However, I have a
handsome legacy charged upon this treasure, and perhaps the thought of
that would support me. Alive or dead, I should not like to think of my
money being spent by any Spaniard.”
While Martin spoke the strangeness of the thing came home to Foy. Here
were four of them, two of whom knew a secret and two who did not, while
those who did not implored those who did to impart to them nothing of
the knowledge which, if they had it, might serve to save them from a
fearful doom. Then for the first time in his young and inexperienced
life he understood how great erring men and women can be and what
patient majesty dwells in the human heart, that for the sake of a trust
it does not seek can yet defy the most hideous terrors of the body and
the soul. Indeed, that scene stamped itself upon his mind in such
fashion that throughout his long existence he never quite forgot it for
a single day. His mother, clad in her frilled white cap and grey gown,
seated cold-faced and resolute in the oaken chair. His father, to whom,
although he knew it not, he was now speaking for the last time,
standing by her, his hand resting upon her shoulder and addressing them
in his quiet, honest voice. Martin standing also but a little to one
side and behind, the light of the morning playing upon his great red
beard; his round, pale eyes glittering as was their fashion when
wrathful, and himself, Foy, leaning forward to listen, every nerve in
his body strung tight with excitement, love, and fear.
Oh! he never forgot it, which is not strange, for so great was the
strain upon him, so well did he know that this scene was but the
prelude to terrible events, that for a moment, only for a moment, his
steady reason was shaken and he saw a vision. Martin, the huge,
patient, ox-like Martin, was changed into a red Vengeance; he saw him,
great sword aloft, he heard the roar of his battle cry, and lo! before
him men went down to death, and about him the floor seemed purple with
their blood. His father and his mother, too; they were no longer human,
they were saints—see the glory which shone over them, and look, too,
the dead Hendrik Brant was whispering in their ears. And he, Foy, he
was beside Martin playing his part in those red frays as best he might,
and playing it not in vain.
Then all passed, and a wave of peace rolled over him, a great sense of
duty done, of honour satisfied, of reward attained. Lo! the play was
finished, and its ultimate meaning clear, but before he could read and
understand—it had gone.
He gasped and shook himself, gripping his hands together.
“What have you seen, son?” asked Lysbeth, watching his face.
“Strange things, mother,” Foy answered. “A vision of war for Martin and
me, of glory for my father and you, and of eternal peace for us all.”
Public-domain text, read in full here on John Shaqi.
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