Lysbeth, a Tale of the DutchHaggard, H. Rider (Henry Rider)
History
Lysbeth, a Tale of the Dutch
Haggard, H. Rider (Henry Rider)
Netherlands -- History -- House of Habsburg, 1477-1556 -- Fiction
“The others,” they cried, “find the others,” and with torches and
lanterns they hunted round the great church. They ascended the belfry,
they rummaged the chapels, they explored the crypt; then, baffled, drew
together in a countless crowd in the nave, shouting, gesticulating,
suggesting.
“Get dogs,” cried a voice; “dogs will smell them out;” and dogs were
brought, which yapped and ran to and fro, but, confused by the
multitude, and not knowing what to seek, found nothing. Then some one
threw an image from a niche, and next minute, with a cry of “Down with
the idols,” the work of destruction began.
Fanatics sprang at the screens and the altars, “all the carved work
thereof they break down with hatchet and hammer,” they tore the
hangings from the shrines, they found the sacred cups, and filling them
with sacramental wine, drank with gusts of ribald laughter. In the
centre of the choir they built a bonfire, and fed it with pictures,
carvings, and oaken benches, so that it blazed and roared furiously. On
to it—for this mob did not come to steal but to work vengeance—they
threw utensils of gold and silver, the priceless jewelled offerings of
generations, and danced around its flames in triumph, while from every
side came the crash of falling statues and the tinkling of shattered
glass.
The light of that furnace shone through the lattice stonework of the
tomb, and in its lurid and ominous glare Adrian beheld the faces of
those who refuged with him. What a picture it was; the niches filled
with mouldering boxes, the white gleam of human bones that here and
there had fallen from them, the bright furnishings and velvet pall of
the coffin of the newcomer on which he stood—and then those faces. The
priests, still crouched in corners, rolling on the ground, their white
lips muttering who knows what; the sacristan in a swoon, Hague Simon
hugging a coffin in a niche, as a drowning man hugs a plank, and,
standing in the midst of them, calm, sardonic and watchful, a drawn
rapier in his hand, his father Ramiro.
“We are lost,” moaned a priest, losing control of himself. “We are
lost. They will kill us as they have killed the holy Abbe.”
“We are not lost,” hissed Ramiro, “we are quite safe, but, friend, if
you open that cursed mouth of yours again it shall be for the last
time,” and he lifted his sword, adding, “Silence; he who speaks, dies.”
How long did it last? Was it one hour, or two or three? None of them
knew, but at length the image-breaking was done, and it came to an end.
The interior of the church, with all its wealth and adornments, was
utterly destroyed, but happily the flames did not reach the roof, and
the walls could not catch fire.
Public-domain text, read in full here on John Shaqi.
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