Lysbeth, a Tale of the DutchHaggard, H. Rider (Henry Rider)
History
Lysbeth, a Tale of the Dutch
Haggard, H. Rider (Henry Rider)
Netherlands -- History -- House of Habsburg, 1477-1556 -- Fiction
Elsa shut her eyes. When she opened them again the woman was alone upon
the little patch of red boarding, her body splayed out over it like
that of a dead frog. So she lay a while till suddenly the cap of the
Red Mill dipped slowly like a lady who makes a Court curtsey, and she
vanished. It rose again and Meg was still there, moaning in her terror
and water running from her dress. Then again it dipped, this time more
deeply, and when the patch of rusty boarding slowly reappeared, it was
empty. No, not quite, for clinging to it, yowling and spitting, was the
half-wild black cat which Elsa had seen wandering about the mill. But
of Black Meg there was no trace.
It was dreadfully cold up there hanging to the sail-bar, for now that
the rain had finished, it began to freeze. Indeed, had it not chanced
that Elsa was dressed in her warm winter gown with fur upon it, and dry
from her head to her feet, it is probable that she would have fallen
off and perished in the water. As it was gradually her body became numb
and her senses faded. She seemed to know that all this matter of her
forced marriage, of the flood, and of the end of Simon and Meg, was
nothing but a dream, a very evil nightmare from which she would awake
presently to find herself snug and warm in her own bed in the Bree
Straat. Of course it must be a nightmare, for look, there, on the bare
patch of boarding beneath, the hideous struggle repeated itself. There
lay Hague Simon gnawing at his wife’s foot, only his fat, white face
was gone, and in place of it he wore the head of a cat, for she, the
watcher, could see its glowing eyes fixed upon her. And Meg—look how
her lean limbs gripped him round the body. Listen to the thudding noise
as the great knife fell between his shoulders. And now, see—she was
growing tall, she had become a giantess, her face shot across the gulf
of water and swam upwards through the shadows till it was within a foot
of her. Oh! she must fall, but first she would scream for help—surely
the dead themselves could hear that cry. Better not have uttered it, it
might bring Ramiro back; better go to join the dead. What did the voice
say, Meg’s voice, but how changed? That she was not to be afraid? That
the thudding was the sound of oars not of knife thrusts? This would be
Ramiro’s boat coming to seize her. Of him and Adrian she could bear no
more; she would throw herself into the water and trust to God. One,
two, three—then utter darkness.
Public-domain text, read in full here on John Shaqi.
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