Authors, Swedish -- 19th century -- Biography; Lagerlöf, Selma, 1858-1940; Sweden -- Social life and customs -- 19th century
The Lieutenant pounded out the accompaniments, and hummed the air, to
mark the time and carry the tune. But the children sang at the top of
their voices, and could be heard all over the house. Here were indeed
life and merriment for them after the day’s work! They understood very
little of what they sang, but the melodies put them in a glow and
livened their spirits. Ah, how sweet it sounded when _Ulla_ danced in
spangles, veil and fringe! or when _Fredman_ sang: “’Tis as far to
Monday as from north to south.” And what could be funnier than when the
ever-hapless _Mollberg_ jumped into the vat where _Grogshop-Mother_
soaked her stockfish, or when at the great boating-picnic the
party-cake came on garnished with sugar, cinnamon, and anchovies!
But what delighted the children above everything was that they might
sing as loud as ever they wished. The Lieutenant never corrected them
or interrupted to remind them that there were such things as voice
modulation and singing in unison. They thought they sang Bellman just
as he should be sung.
On the wall above the piano sat Karl Mikael (Bellman) himself, with his
lute. Now and then, the Lieutenant looked up at him, as if expecting a
smile of approval from that incomparable lyrist and singer.
But once when Lieutenant Lagerlöf and the children were having a
Bellman-sing, it happened that Colour-Sergeant von Wachenfeldt was
there, sitting in his usual corner, chatting with Mamselle Lovisa.
“Isn’t it strange that not one of the children has a voice?” Mamselle
Lovisa remarked to the Sergeant in a half-whisper.
“Yes,” replied the Sergeant in a low tone. “That they haven’t singing
voices they can’t help, but they might at least make use of their
ears!”
“It seems extraordinary, when both parents are musical, don’t you think
so, Wachenfeldt? I can’t understand how Gustaf endures it!”
“He does not hear it as it sounds to us,” said the Sergeant. “He loves
those children.”
“People are wont to speak of seeing with the eyes of love,” observed
Mamselle Lovisa, “and there may be such a thing as hearing with the
ears of love....”
“Be sure of that!” responded the Colour-Sergeant, who knew whereof he
spoke.
One of the little singers chanced to overhear those remarks, and
repeated them to the others, and perhaps it was due to that that the
Bellman “concerts” at Mårbacka were suddenly discontinued.
But long afterward--aye, always--the love of the Bellman songs lived in
the hearts of the Mårbacka children. They loved them not only for their
humour and pathos and their haunting beauty; but the faintest tone from
the Bellman lute called up memories of the never-failing love and
tenderness that had made their childhood such a happy one!
V
BOYS AND GIRLS
Public-domain text, read in full here on John Shaqi.
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