Authors, Swedish -- 19th century -- Biography; Lagerlöf, Selma, 1858-1940; Sweden -- Social life and customs -- 19th century
On the old sand-plot just below the kitchen windows they staked out a
large triangle and filled it with rich soil, in which they transplanted
the rose bushes from the old rose garden. For of roses they could never
have enough. Along the front of the house they set out a low hedge of
primroses, and two white-brier-rose bushes were given the places of
honour, the one before the parlour window, the other before the front
bedroom window.
The Lieutenant took such keen delight in this work that he went about
with the gardener all day, and Fru Lagerlöf would snatch long moments
from her sewing to go out and have a look at the garden; but Mamselle
Lovisa persistently kept to her room. This delightful spring work only
tended to increase her sadness. She would rather have had the old
trampled sward, with its one little tangle of snowberry bushes. All
these innovations seemed to her so unnecessary. But what she thought or
said was immaterial; just the same, folk had managed to live at
Mårbacka before. All these modern improvements only meant a lot of
bother and needless expense.
But the work went on despite her disapproval. Round the stable the
gardener planted a hedge of lilacs, also on three sides of the dwelling
house, while along the wing he set out a hedge of spiræas. That done,
the Lieutenant and the gardener went at the old Wennervik kitchen
garden. The fine apple trees they let stand where they were, but the
ground about them was laid out in the old man’s “English” style, with
winding gravel paths and grass plots arranged in various designs. With
much skill and calculation each grass plot was embellished with round,
oblong, or triangular beds and planted with perennials. Yellow cowslips
bordered blue iris, orange crown-imperials edged purple hyssop, and
encircling the red carnations was a wreath of pink bellis.
The flower beds of course were up round the dwelling house. Farther
back, on both the north and south sides, place was made for gooseberry
and currant bushes, for strawberry patches, for plum trees, pear trees,
and ever so many cherry trees. At the far southern end, quite a
distance away and well out of sight, lay the new kitchen garden, while
at the north end was a little birch grove, bordered by mountain ash and
bird-cherry trees. This grove the gardener included in his design, in
order to create at least the suggestion of a park. He intersected the
grove with many narrow winding gravel walks. In three places he cleared
away the trees to make room for tables and seats. The first open space
was an oblong spot with settees on all sides. Here the lady of the
house was to receive her guests, and it was to be called the Tea
Corner. The second was a square, with four seats round a table. That
was for the master and his company, and the old man jokingly dubbed it
the Toddy Corner. The third space had only a long, narrow bench. That
was the children’s domain, and was to be known as the Kiddies’ Corner.
Public-domain text, read in full here on John Shaqi.
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