27. He was undoubtedly an excellent judge of compositions fashioned on his own principles. But when a deeper philosophy was required, when he undertook to pronounce judgment on the works of those great minds which "yield homage only to eternal laws," his failure was ignominious. He criticised 5 Pope's Epitaphs excellently. But his observations on Shakespeare's plays and Milton's poems seem to us for the most part as wretched as if they had been written by Rymer himself, whom we take to have been the worst critic that ever lived. 10 28. Some of Johnson's whims on literary subjects can be compared only to that strange nervous feeling which made him uneasy if he had not touched every post between the Mitre tavern and his own lodgings. His preference of Latin epitaphs to English epitaphs is an instance. An English epitaph, he 15 said, would disgrace Smollett. He declared that he would not pollute the walls of Westminster Abbey with an English epitaph on Goldsmith. What reason there can be for celebrating a British writer in Latin, which there was not for covering the Roman arches of triumph with Greek inscriptions, or for 20 commemorating the deeds of the heroes of Thermopylæ in Egyptian hieroglyphics, we are utterly unable to imagine. 29. On men and manners, at least on the men and manners of a particular place and a particular age, Johnson had certainly looked with a most observant and discriminating eye. 25 His remarks on the education of children, on marriage, on the economy of families, on the rules of society, are always striking, and generally sound. In his writings, indeed, the knowledge of life which he possessed in an eminent degree is very imperfectly exhibited. Like those unfortunate chiefs of 30 the middle ages who were suffocated by their own chain-mail and cloth of gold, his maxims perish under that load of words which was designed for their defence and their ornament. But it is clear from the remains of his conversation, that he had more of that homely wisdom which nothing but experience and observation can give than any writer since the time of Swift. If he had been content to write as he talked, he might have left books on the practical art of living superior to the Directions to Servants. 5