When Gertrude White did appear--she came in unexpectedly--he almost
uttered a cry: and it would have been a cry of delight. For there was a
flesh and blood woman, a thousand times more interesting, and beautiful,
and lovable than all his fancied pictures of her. Look how she
walks--how simply and gracefully she takes off her hat and places it on
the table! Look at the play of light, and life, and gladness on her
face--at the eloquence of her eyes! He had been thinking of her eyes as
too calmly observant and serious: he saw them now, and was amazed at the
difference--they seemed to have so much clear light in them, and
pleasant laughter. He did not fear at all that she should see him. She
was so near--he wished he could take her hand and lead her away. What
concern had these people around with her? This was Gertrude White--whom
he knew. She was a friend of Mrs. Ross's; she lived in a quiet little
home, with an affectionate and provoking sister; she had a great
admiration for Oscar the collie; she had the whitest hand in the world
as she offered you some salad at the small, neat table. What was she
doing here--amidst all this glaring sham--before all these people?
"_Come away quickly!_" his heart cried to her. "_Quick--quick--let us
get away together: there is some mistake--some illusion: outside you
will breathe the fresh air, and get into the reality of the world again;
and you will ask about Oscar, and young Ogilvie: and one might hold your
hand--your real warm hand--and perhaps hold it tight, and not give it up
to any one whatsoever!_" His own hand was trembling with excitement. The
eagerness of delight with which he listened to every word uttered by the
low-toned and gentle voice was almost painful; and yet he knew it not.
He was as one demented. This was Gertrude White--speaking, walking,
smiling, a fire of beauty in her clear eyes; her parted lips when she
laughed letting the brilliant light just touch for an instant the
milk-white teeth. This was no pale Rose Leaf at all--no dream or
vision--but the actual laughing, talking, beautiful woman, who had more
than ever of that strange grace and witchery about her that had
fascinated him when first he saw her. She was so near that he could have
thrown a rose to her--a red rose, full blown and full scented. He
forgave the theatre--or rather he forgot it--in the unimaginable delight
of being so near her. And when at length she left the stage, he had no
jealousy of the poor people who remained there to go through their
marionette business. He hoped they might all become great actors and
actresses. He even thought he would try to get to understand the
story--seeing he should have nothing else to do until Gertrude White
came back again.
Public-domain text, read in full here on John Shaqi.
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