Instantly his memory flew back to that day--to the hushed little room
over the sunlit gardens--to the beautiful, gentle, sensitive girl who
seemed to have so strange an interest in the Highlands--to the wonderful
thrill that went through him when she began to sing with an exquisite
pathos, "A wee bird cam' to our ha' door," and to the prouder enthusiasm
that stirred him when she sang, "I'll to Lochiel, and Appin, and kneel
to them!" These were fine, and tender, and proud songs. There was no
gloom about them--nothing about a grave, and the dark winter-time, and a
faithless lost love. This song of Norman Ogilvie's that he had gayly
proposed they should sing now? What had Major Stuart, or his wife, or
any one in Mull to do with "Death's black wine?"
"I meant to tell you, Keith," said she, somewhat nervously, "that I had
signed an engagement to remain at the Piccadilly Theatre till Christmas
next. I knew you wouldn't mind--I mean, you would be considerate, and
you would understand how difficult it is for one to break away all at
once from one's old associations. And then, you know, Keith," said she,
shyly, "though you may not like the theatre, you ought to be proud of my
success, as even my friends and acquaintances are. And as they are all
anxious to see me make another appearance in tragedy, I really should
like to try it; so that when my portrait appears in the Academy next
year, people may not be saying, 'Look at the impertinence of that girl
appearing as a tragic actress when she can do nothing beyond the
familiar modern comedy!' I should have told you all about it before,
Keith, but I know you hate to hear any talk about the theatre; and I
sha'n't bore you again, you may depend on that. Isn't it time to go back
now? See! the rose-color is away from Ulva now; it is quite a dark
purple."
He turned in silence and led the way back. Behind them he could faintly
hear Mr. White discoursing to Janet Macleod about the manner in which
the old artists mixed their own pigments.
Then Macleod said, with a great gentleness and restraint,
"And when you go away from here, Gertrude, I suppose I must say
good-by to you; and no one knows when we shall see each other again. You
are returning to the theatre. If that is your wish, I would not try to
thwart it. You know best what is the highest prize the world can give
you. And how can I warn you against failure and disappointment? I know
you will be successful. I know the people will applaud you, and your
head will be filled with their praises. You are going forward to a new
triumph, Gerty; and the first step you will take will be on my heart."
CHAPTER XXXVII.
AN UNDERSTANDING.
Public-domain text, read in full here on John Shaqi.
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