Mad: A Story of Dust and AshesFenn, George Manville
General
Mad: A Story of Dust and Ashes
Fenn, George Manville
Fiction
The golden bar shone into and across the room, a bar-sinister no longer,
for it played upon the features of the dead, seeming to illumine them
with a smile; the sparrows twittered in the eaves, the faint whistle of
a carter, cheering his way with some old minor strain, was heard from
the road; the blind still tapped softly and shuddered from top to
bottom; but the gnawing sounds from the skirting-board had ceased, and
the kneeling man remained motionless by the bedside.
Tap, tap, tap, in a strange warning way, as the shuddering motion of the
old blind continued. Warning taps, as if softly made by unseen
watchers--signals to rouse the kneeling figure whose face was buried in
his hands, and whose worn, lean fingers touched the black-cloth of the
coffin; taps that now grew louder, for there was a faint, scratching
noise, as of little vicious claws passing over a counterpane.
Volume Two, Chapter II.
MEETINGS.
With something like the wondering pleasure that must have been felt by
the first photographer who applied his developing liquid to a sensitised
plate and then saw spring out by magic, as it were, first faint, then
stronger lines, feature by feature, the lineaments of a beautiful face,
gazed old Matt Space upon Lucy Grey as Time, that wonderful developer,
caused her day by day to take more and more the aspect of a beautiful
woman. Yesterday almost it seemed to him that she was a mere girl, a
child; but the transition had been rapid. True, hers was a time of life
when the bud is seen to expand rapidly; but here there had been forcing
powers at work. In fact, in quiet self-dependence, thought, and her
managing ways, Lucy had been for years a woman, and the friend and
counsellor of her mother in many a sore trial. Familiarity with sorrow,
poverty, her step-father's struggles, and their life in the busy streets
of London, had all tended to develop the mind of Lucy Grey, who might
truly be said never to have known a girlhood: nurse to her little sister
and brother in sickness and health, attendant of her ailing mother,
housekeeper, cheerer of Septimus Hardon's misery, and now busy worker
for the family's support, it were strange indeed if she had not stepped
as it were from child to woman, for in such cases as hers years seem
secondary.
But the years had not been stationary, for Lucy Grey was now seventeen,
and the old printer used to gaze with pride upon the fair girl, who
chose him gladly for her companion to and from the warehouse for which
she worked.
Public-domain text, read in full here on John Shaqi.
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