Mad: A Story of Dust and AshesFenn, George Manville
General
Mad: A Story of Dust and Ashes
Fenn, George Manville
Fiction
Slowly down she then passed step by step, with the old worn boards now
and again creaking sharply beneath her light weight, every rustle of her
dress sounding loud and distinct in the silence--down slowly to the dark
passage and the front-door, left always on the latch for the convenience
of the many lodgers. And now Lucy's heart beat heavily, for she had
passed along the entry in an agony of fear, lest she might encounter
someone sleeping upon the floor, for at times homeless ones had stolen
in and rested there, glad of such a refuge from the night wind.
But Lucy stood at the door in safety, and raised the latch. The paint
cracked loudly as the door opened, and admitted the faint light of moon
and lamp, while now the wind sighed mournfully down the court. The next
moment the door was closed, and a dark figure had seized Lucy by the
hand, and drawn her towards one of the many gloomy entrances, as the
heavy step of a policeman was heard to pass the end of the court, his
ringing paces gradually growing fainter and fainter, till once more all
was still but the moaning sigh of the night wind, as it seemed at times
almost to wail for the miseries of Bennett's-rents.
A quarter of an hour, half an hour, an hour passed; but save the
occasional rattle of wheels in the great thoroughfare, all was silent.
The many doorways in Bennett's-rents seemed to frown darkly and
mysteriously as the one lamp flickered, while, where the moonbeams did
not fall, there were gloomy shadows. But at last came the light step of
Lucy and the soft rustle of her dress as she crept up to the door,
passed through to steal once more up the creaking stairs, to throw off
bonnet and shawl, and sit down panting and trembling, her breath coming
hardly for a while, till tears came to her relief, when she wept long
and bitterly, the heavy booming of a neighbouring clock sending a
shudder through her frame.
Public-domain text, read in full here on John Shaqi.
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