Mad: A Story of Dust and AshesFenn, George Manville
General
Mad: A Story of Dust and Ashes
Fenn, George Manville
Fiction
Now experience has taught that holes or seediness generally of the other
apparel may to a certain extent be managed, and something like a decent
appearance made; the hat may be sponged and ironed, while the brown
napless spots are inked, and the bruises, to a certain extent, rubbed
out; holes in the coat may be fine-drawn, and a vigorous brushing will
always do something towards renovating the nap, even as soap and flannel
will remove the grease; then, too, a good button-up, and a paper collar
neatly arranged beneath a clean face and shortly-cut hair, give a finish
to a costume by no means rare in London streets. It is only when in
company with dirt and squalor that long hair shows to its greatest
advantage; and if the hair be long, vain are the efforts made to reform
a shabby garb. Your artist may fancy he paints the better by saving the
sixpences that should by rights find their way into the pocket of the
man of the long tongue and sharp scissors; your poet with rolling eye
may also find some hidden advantage, some Samson-like strength in
flowing locks; and no doubt Italian liberty would suffer, and Vaterland
be blotted and wiped out, if from foreign heads much of the
collar-greasing, eye-offending, cheek-tickling appendage were shorn off.
We know how the strength of the old judge lay in his locks, and when we
meet some brawny hirsute fellow, we are apt to consider him a very
Hercules of strength; but when we encounter long hair in a state of
wealth, petted, perfumed, and glossed, after the fashion of the dandies
of the Merry Monarch's time, how the mind will feel disposed to look
upon the owner of the flowing locks, not as a star of the intellectual
sphere, but as a comet of weak intensity; while, when the same lengthy
locks are met with in a state of poverty, even the short prison-barber
coiffure of the Jarker kind seems preferable.
Public-domain text, read in full here on John Shaqi.
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