“Rosalind,” said Mrs. Lennox, “poor Grace was a very religious woman; at
that moment she would be thinking about her Maker.”
“Do you think she would be afraid of him?” cried Rosalind, “afraid that
our Lord would be jealous, that he would not like her to love her
children? Oh, that’s not what my mother thought! My religion is what I
got from her. She was not afraid of him--she loved him. She would know
that he would let her come, perhaps bring her and stand by her;
perhaps,” the girl cried, clasping her hands, “if I had been better,
more religious, more like my mother, I should have seen him in the room
too.”
John Trevanion seized her hands almost fiercely. Short of giving up his
own self-control, and yielding to this stormy tide of emotion, it was
the only thing he could do. “I must have an end of this,” he said.
“Rosalind, you must be calm--we shall all go distracted if you continue
so. She was a good woman, as Sophy says. She never could, I don’t
believe it, have gratified herself at your expense like this. I shall
telegraph the first thing in the morning to the lawyers, to know if they
have any news. Will that satisfy you? Suspend your judgment till I hear;
if then it turns out that there is any cause--” Here his voice broke and
yielded to the strain of emotion; upon which Rosalind, whose face had
been turned away, rose up suddenly and flung herself upon him as Amy had
done upon her, crying, “Oh, my mother! oh, my mother! you loved her too,
Uncle John.”
Thus the passion of excited feeling extended itself. For a moment John
Trevanion sobbed too, and the girl felt, with a sensation of awe which
calmed her, the swelling of the man’s breast. He put her down in her
chair next moment with a tremulous smile. “No more, Rosalind--we must
not all lose our senses. I promise you if there is any truth in your
imagination you shall not want my sympathy. But I am sure you are
exciting yourself unnecessarily; I know I should have heard had there
been anything wrong. My dear, no more now.”
Public-domain text, read in full here on John Shaqi.
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