Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917Whale, Winifred Stephens
History
Madame Adam (Juliette Lambert), la grande Française : $b from Louis Philippe until 1917
Whale, Winifred Stephens
Adam, Juliette, 1836-1936
“Listen; for seventeen years you have been absolute masters, you have
held France in your power.... Yet you have never dared to place among
the national festivals that 2nd of December!... Well, we claim it,
that anniversary of the 2nd of December. We claim it for ourselves.
We shall never cease to celebrate it. Every year it will be the
anniversary of our dead, until the day when the country, once more
having become the master, shall exact from you the great expiation in
the name of liberty, equality and fraternity.”[128]
After a long deliberation the court pronounced sentence, and all the
accused were condemned. But few thought of them. Gambetta, though he
had failed to obtain his client’s acquittal, was the hero of the hour,
for he had brought a more serious indictment against a far greater
criminal. Fêted and congratulated on every hand, he was conducted to
the famous Restaurant Magny. No false modesty was his. He knew he had
dealt faithfully with the tyrants, and he was not ashamed to own it.
“_Comme je leur ai dit leur quatre vérités_,” he exclaimed.
In Juliette’s salon that night there was wild enthusiasm. Adam and
his friends had heard the speech. They repeated passages of it. “You
must read it,” Adam said to his wife. “But it will not be the same as
having heard it.”
“The 13th of November,” writes Juliette, “was a fatal day for the
Empire.[129] ... The imperial tree had been sapped by the little
Cahors lawyer. It was not that Gambetta’s oratory was so very
exceptional. His power lay in making his ardent soul vibrate to the
emotion of the crowd.”
The Adams had found it well worth their while to postpone their
departure for Bruyères in order to be in Paris at such a time.
Juliette, on her arrival at her villa, was overwhelmed by the
transformation which Adam had worked in it. “_Mon Bruyères_,” she
writes, “_est embelli, transformé joliment à l’intérieur, sans avoir
perdu quoi que ce soit de sa gracieuse et modeste physionomie_.”[130]
Public-domain text, read in full here on John Shaqi.
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